Tag Archives: Top 5

Today’s Top 5: July 7th, 1979

Thursday night found us at what sometimes seems like our home away from home, the World Cafe Live in West Philly, to see Rickie Lee Jones. If I’ve done my math right, it was the seventh time that I’ve seen the jazzy singer-songwriter, who’s long been a favorite. Though she had a cold, she delivered a solid set that was accented by spellbinding moments – especially on “We Belong Together.”

That’s not my video, I hasten to add. We were in the front row, where experience has taught me that the upward angle guarantees the overhead stage lights will appear like glowing orbs on my Phone videos. But here’s a photo I took:

“We Belong Together” hails from her classic 1981 album Pirates, of course, and really should’ve been released as a single, as it’s one of her best songs.

Another highlight came earlier in the night with the second single released from her 1979 eponymous debut, “Chuck E.’s in Love,” which is the first thing I – and most folks, I’m sure – heard by her. According to Weekly Top 40, it made its chart debut – at No. 65 – on April 28th, the same week that Blondie’s “disco song,” “Heart of Glass,” topped the charts. Over the course of the next two months, it slowly weaved its way through the disco and pop dross cluttering Top 40 until, on June 9th, it hit entered the Top 10 at No. 8.

Four weeks later, on July 7th, it peaked at No. 4 (a spot it would hold for an additional week).

That July wasn’t much different from what I described in Today’s Top 5: June 1979 or Today’s Top 5: September 29, 1979 other than, for me, school being out. There was also this: I was 13 when the month began, and 14 when it ended. Beyond that, according to Wikipedia, the month’s notable events included, on the 2nd, the Susan B. Anthony dollar coin being introduced; on the 8th, L.A. passing a gay and lesbian rights bill; and, on the 16th, Steve Dahl’s “Disco Demolition” stunt at Chicago’s Comiskey Park going kaboom.

Among the albums released this month were Neil Young & Crazy Horse’s Rust Never Sleeps, the B-52’s debut and the Kinks’ Low Budget, but I wouldn’t discover them for quite some time. I was a kid on a budget, after all, and albums were often a luxury. And, too, there’s this: I was (likely) still grooving to a release from the month before: Wings’ Back to the Egg.

And, with that, here’s today’s Top 5: July 7th, 1979 (via Weekly Top 40):

1) Anita Ward – “Ring My Bell.” Some people hate this pure shot of disco fluff, which was enjoying its second week at No. 1, and it’s understandable why they might. But it has a certain charm…

2) Donna Summer – “Bad Girls.” As I noted after her untimely death, Donna Summer wasn’t just the “queen of disco” in the late ‘70s, but the queen of the Top 40. This week, she holds the No. 2 spot with the propulsive second single from the Bad Girls album; it was No. 3 the previous week, and would hit No. 1 the next. According to the Wikipedia entry, she was inspired to write the song after she was stopped one night by a police officer who mistook her for a prostitute. Who knew?

3) Donna Summer – “Hot Stuff.” And here’s additional proof of Summer’s chart dominance: “Hot Stuff,” the lead single from Bad Girls, dropped to No. 3 this week from No. 2, and before that had enjoyed a three-week run as No. 1. It would remain in the Top 10 for several more weeks, too. One of the interesting things about the song, to me at least, is the way it effortlessly blends rock and disco. (Check out the guitar solo at the end.)

4) Rickie Lee Jones – “Chuck E.’s in Love.” Rickie Lee’s biggest hit is also one of her greatest songs, a true effervescent shot of upbeat joy. This week, it reached No. 4 on the charts – a spot it would hold for one more week before falling out of the Top 10.

Here’s a cool video of her singing it on stage back in the day…

5) Kenny Rogers – “She Believes in Me.” Disco may have ruled the charts in the late ‘70s, but as evidenced by “Chuck E.’s in Love,” there was more to the era’s music that fast beats. And just as hip sounds could find their way in the charts. So could country – especially when sung by Mr. Rogers.

And a few bonuses…

6) Supertramp – “The Logical Song.” Mr. Spock’s theme song, from Supertramp’s smash Breakfast in America LP, peaks at No. 6 this week.

7) Wings – “Getting Closer.” Back to the Egg sported a cool cover, and some good-to-great tunes. Not Paul McCartney’s best, but far from his worse – New Wave in theory, at least in spots, but Old Wave in practice, through and through. This, the lead single, clocks in at No. 31, and would stall a few weeks later at No. 20.

Advertisements

Today’s Top 5: And That’s the Way It Is

Sometimes I listen to music in the car. Other days, however, I tune in KYW-1060AM, the Delaware Valley’s all-news channel. It provides local and national headlines, breaking news, traffic reports, business updates, weather and sports, and at 6:30pm – if I’ve left work late or am just stuck in traffic – a simulcast of the CBS Evening News. I also read/subscribe to the digital edition of the Washington Post, and check out the New York Times and Philadelphia Inquirer from time to time – aka the “fake news” outlets so labeled because they report actual facts, not the partisan propaganda our dear leader prefers.

And with that, here’s today’s Top 5: And That’s the Way It Is.

1) Neil Young – “Ambulance Blues.” This song percolates through my synapses pretty much every time America’s answer to Erdogan speaks. The line “I never knew a man who told so many lies” may have been inspired by Nixon, but it describes him, too.

2) Juliana Hatfield – “When You’re a Star.” I came to the conclusion, long ago, that Juliana is basically Generation X’s Neil Young. Think about it: She started her career in an influential, but commercially under-appreciated group; she’s at home on acoustic and electric guitar, solo or with a band; and has a distinctly idiosyncratic outlook on life. And no one can write her songs but her. This week, after the sordid news from Hollywood broke, she tweeted a link to this song, which was inspired by both the lecher-in-chief and a former Jell-O salesman. It’s from her Pussycat album.

3) Bob Dylan – “Talkin’ John Birch Society Blues.” Originally slated for The Freewheelin’ Bob Dylan, but yanked by Columbia due to lawsuit concerns, this classic satire of political paranoia remains relevant today. The dear leader and his minions, after all, see enemies everywhere.

4) First Aid Kit – “This Land Is Your Land.” Diane and I watched the Woody Guthrie biopic Bound for Glory a few weeks back. Great movie. It got me to thinking that that era, more than any other, is the era Trump and the GOP want America to return to – where some have plenty, but most nothing at all. First Aid Kit’s cover of the song includes the two “radical” verses that speak to the song’s message that America is for all its people, not just the rich and well-off. (See the Wikipedia entry for more.)

5) The Long Ryders – “Masters of War.” The Ryders’ cover of Dylan’s classic, about old men sending young men to their deaths, still rings true today. (The pulpit’s bully is itching for war, after all.)

And two bonuses…

6) Grant Hart – “Now That You Know Me.” During the winter of 1989-90, I played Hart’s Intolerance CD more than most – and this song wound up on many a mixtape. I won’t lie and claim to have kept up with Hart’s career in the years since, but the news of his passing in September shook me all the same. Hüsker Dü’s Zen Arcade and New Day Rising were monumental albums in my life.

7) Tom Petty & the Heartbreakers – “Peace in L.A.” The L.A. riots of 1992, sadly, weren’t the last riots spurred by racial injustice. One of Petty’s best yet lesser known singles, this call for peace was recorded mere days after the figurative fires were put out; and was on the radio a day later. “Stay cool. Don’t be a fool.”

 

Today’s Top 5: December 27th, 1969

It was a chilly December day in 1969 when my father, then 38, arrived home from Vietnam, where he’d worked the previous 15 months as an electronics field engineer attached to the 5th U.S. Marine Base at Da Nang. He maintained the Marine Corps’ communication system called TRC-97 at fire bases and outposts between Da Nang and the DMZ, and sometimes took sniper fire while riding a motorcycle from one site to the next. He wasn’t a G.I., having left the Army after serving in the Korean War the decade before, but an RCA employee.

According to the thorough family history written by my grandfather the following year, my dad left for Vietnam on Sept. 16th, 1968, and returned stateside on Dec. 15th, though I imagine he first touched ground in Hawaii or San Diego and, even if he flew straight through, made it home a day later. What I recall: my mom crouching beside me, who was all of 4 1/2, and pointing to a tall man dressed in fatigues walking toward us. “Daddy,” she whispered in my ear. I ran to him, arms outstretched, and bellowed the same.

Young children welcoming a parent home from war: It’s a scene played out many thousands of times every decade, it seems. And, as with me, I’m sure it’s the first memory many have of that parent.

I was reminded of the day by Herc’s thoughtful write-up of The Vietnam War, the Ken Burns-Lynn Novick documentary series that recently aired on PBS. I haven’t watched it yet, though at some point I likely will, but it got me to thinking of December 1969 and the winter that followed – it’s the last time, I think, that I enjoyed snow. By the next Christmas we were in Saudi, and snow and frigid weather were non-factors for the next five years.

Anyway, Christmas of 1969, as I remember it, was great; the family was together and, in addition to my dad, I received one of the greatest gifts ever: Billy Blastoff. (It was an action toy, not a doll!)

To pull the magnifying glass away from me, major events of this month included, on the 1st, the initial draft lottery; on the 2nd, the 747 making its official debut; and, on the 6th, “Woodstock West,” aka the Altamont Free Concert, erupting into violence. Unemployment for the month was just 3.90 percent, but was about to begin a gradual climb to 6 percent by the end of 1970; and inflation was relatively high, at 5.5 percent.

(For more on 1969, see here and here, though each now features a clip that’s gone AWOL from YouTube.)

Movies released this month included A Boy Named Charlie Brown, Hello, Dolly!, On Her Majesty’s Secret Service, Topaz and The Computer Wore Tennis Shoes. Top television shows included Rowan & Martin’s Laugh-In, Gunsmoke, Bonanza, Mayberry R.F.D. and Family Affair. Brady Bunch aficionados will know that the kitsch classic’s lone Christmas episode, when Carol came down with a bad case of laryngitis, aired on the 17th; another historic Christmas-tinged TV moment came 10 days earlier with the first airing of Frosty the Snowman.

And, with that, here’s today’s Top 5: December 27th, 1969 (via Weekly Top 40):

1) Diana Ross & the Supremes – “Someday We’ll Be Together.” This, Diana’s final single with the Supremes, closed out the 1960s in spectacular fashion. (Producer Johnny Bristol can be heard harmonizing along, and giving Diana encouragement.)

2) Peter, Paul & Mary – “Leaving on a Jet Plane.” I never knew this was written by John Denver until the mid-2000s, when I watched an excellent PPM biography on PBS. There’s this, too: PPM recorded it in 1967 for Album 1700, but didn’t release it as a single until October 1969. It promptly ascended the charts and, on Dec. 20th, became their only single to hit No. 1. This week, it dropped a notch to No. 2.

3) B.J. Thomas – “Raindrops Keep Fallin’ on My Head.” Written for the Butch Cassidy & the Sundance Kid film, this classic Burt Bacharach-Hal David song, which won an Oscar, has been covered more times than than ASCAP/BMI can count. (Just a joke.) Here’s B.J. Thomas singing it on Top of the Pops in February 1970:

4) Creedence Clearwater Revival – “Down on the Corner”/“Fortunate Son.” The double A-sided hit  – one of the best – dropped to No. 4 from No. 3 (its peak) this week.

5) Steam – “Na Na Hey Hey Kiss Him Goodbye.” Who knew, as 1969 came to a close, that the chorus to this ditty – which topped the charts for two weeks in early December – would become one of the de facto sing-alongs at sporting events within a decade’s time?

And two bonuses:

6) Neil Diamond – “Holly Holy.” The No. 6 this week is this gospel-tinged classic, which may well be Neil Diamond’s greatest song. (And even if it isn’t, it certainly feels that way when he’s singing it.) Here he is performing on the BBC in 1971:

7) Gladys Knight & the Pips – “Friendship Train.” Topping out at No, 17 is this under-appreciated Norman Whitfield-penned call for peace, love and understanding. Here’s Gladys & the Pips performing it in 1972: