Tag Archives: Top 5

Today’s Top 5: Yesterday & Today

My original plan for this week’s Top 5 was to countdown cool songs from 1996, when the Netflix series Everything Sucks! is set. If you haven’t seen the show, it’s a comedy-drama about a handful of high-school kids, and two of their parents, in Boring, Ore., that’s cut from the same cloth as Freaks & Geeks. (I won’t say more for spoiler reasons.) It’s good, if flawed, hitting the funny bone as often as it tugs at the heartstrings.

But that would’ve required a time commitment that, this Sunday, I couldn’t make. So, instead, here’s one song from ’96 – an overlooked wonder that kicked off the American Routes radio show today on XPN – and four relatively new releases.

1) Dale Watson – “A Real Country Song.” This song, which laments the disappearance of authentic country music from the airwaves, was released in 1996. Sad to say, 22 years on, real country music remains on life support.

2) Kasey Chambers & the Fireside Disciples – “The Campfire Song.” The Aussie country singer-songwriter (one of my favorites) announced this week that her next album, Campfire, will be released in mid-April.

3) The Last of the Easy Riders – “Unto the Earth.” I discovered this Colorado-based band, whose music conjures the Byrds and Flying Burrito Brothers, via a review in the most recent Uncut, and listened to their full-length debut, Unto the Earth, this morning. It’s quite good. (Side note: The opening guitar solo in this, the title tune, recalls Blondie’s “Call Me.”)

4) Caitlyn Smith – “Scenes From a Corner Booth at Closing Time on Tuesday.” The singer-songwriter has co-written songs recorded by Rascal Flatts, Garth Brooks, Lady Antebellum and Meghan Trainor, among others, but only released her debut, Starfire, earlier this year.

5) Violetta Zironi – “Oasis.” I don’t know much about this folksinger beyond this: She’s Italian; has a gorgeous voice; and released her debut EP, which doesn’t include this gem, last month.


Today’s Top 5: Of Marshmallows, Music & Nor’easters

Earlier this week, I planned to use this morning to write a grand essay about audience expectations, artistic inclinations and one of my favorite poems by Wallace Stevens, “The Man With the Blue Guitar,” which was partially inspired by Pablo Picasso’s “The Old Guitarist.”

It begins:

The man bent over his guitar,
A shearsman of sorts. The day was green.

They said, “You have a blue guitar,
You do not play things as they are.”

The man replied, “Things as they are
Are changed upon the blue guitar.”

And they said then, “But play, you must,
A tune beyond us, yet ourselves,

A tune upon the blue guitar
Of things exactly as they are.”

There’s more, of course, and – as with “The Idea of Order at Key West” – much of the poem is referential and deferential to the power and source of poetry (and art as a whole) – it’s a perfect subject for a thought piece, right?

But a funny thing happened between then and this afternoon:

A nor’easter blew through the Philly region (and the Northeastern U.S.) yesterday. Among its other misdeeds: heavy rain, strong winds and blinding snow. It was the first two that caused me to work from home; the snow was something of a surprise, as the last weather map I saw showed my hometown on the borderline between receiving none and two-or-so inches. (And if the latter, said the same report, accumulations would mainly be on the grass.) So imagine my surprise when I opened the front door at 12:30pm and saw what appeared like a white blanket draped across the neighborhood.

Still, that shock aside, it wasn’t much different than all of my workdays: busy, busy, busy. As 5 o’clock neared, I began calculating just how much longer I could vs. should work. Fridays are Fridays, after all, and tired eyes are tired eyes, but deadlines and commitments must be met. Before I could map out my end time, however, the lamp beside the desk flickered – and, just like that, we lost power. “Don’t worry,” I told Diane. “It’ll be back soon.”

But, as the minutes turned into an hour, and that hour into hours, it became obvious that it wasn’t to be soon.

To make a bad thing worse: the storm also killed cell coverage for us. I.e., no Internet. No Facebook. No Twitter. No YouTube, Netflix, Hulu or Amazon Video. No iCloud. Even making a phone call proved problematic: It took two hours before I was able to call our electric company to report the outage and learn what the ETA for power to return was. (The initial estimate: the 4th at 5pm.) The only good: my Morphie battery pack for my iPhone kept it at 100 percent for the next 20 hours; Diane’s iPads were more or less fully charged; and, though her iPhone wasn’t, my MacBook was – and we used that to bring her phone back to life. (Not that she could do anything with it beyond read.)

I have several portable hard drives filled with music, but we wanted to be transported into another world – a good movie or TV show. Without access to the Cloud, or my powered hard drives (where I store things I’ve downloaded through the years, options were severely limited – some episodes of Pretty Little Liars, which Diane never got into, and the pilots for Veronica Mars and Once Upon a Time, which were both free downloads at some point from iTunes. So we watched both on my MacBook while lying beneath a small stack of blankets in bed.

The Veronica Mars pilot remains a thing of genius. It took us away from a chilly, dreary night to sunny Neptune, Cal., where a seemingly hardened teen detective shows herself to be, in reality, a marshmallow. I still miss that series. Once Upon a Time was less genius and more fluff, but fun fluff. (It’s still on the air, actually, though we stopped watching ‘round about Season 4.)

This morning, cell reception was back though the electricity wasn’t – but it wasn’t a super-cold night, so in that sense we were blessed. The downstairs was 52 degrees (Fahrenheit), as the picture shows; it could have been much, much worse.

After a run to Dunkin’ Donuts, where the Girl Scouts-branded Coconut Caramel coffee truly hit the spot, we gathered our various gadgets and hightailed it to my mother’s to charge everything that needed charging. It was there, round about noon, that we learned from Facebook that our power had likely been restored, as a nearby business was back online. And, sure enough, when we swung home, it was – the upstairs TV was blaring like a banshee.

We headed out to celebrate at our favorite restaurant – only to discover that it was closed due to a power outage of its own. In the immortal word of the eminent philosopher Homer, “D’oh!”

And, with that, here’s today’s Top 5: Of Marshmallows, Music & Nor’easters.

1) Juliana Hatfield – “Physical.” The latest song from Juliana’s forthcoming ONJ tribute is an absolute stunner. In a Stereogum article, she says “Olivia Newton-John’s lusty ‘Physical’ is a groovy, bouncy song, but my take on it is darker, more aggro, because I don’t think of lust as fun or funny; I think it’s dangerous and disruptive and mostly unwelcome. So that is my interpretation of “Physical”: the human condition is a bummer, and desire a frustrating impediment to serenity.”

2) Maryanne Window & Mary Lou Lord – “Long May You Run.” So I just discovered this sweet rendition of the Neil Young classic, which is from early 2014, this past week. Maryanne Window is an Australian musician and producer, and collaborated with Mary Lou on her 2015 Backstreet Angels album (an overlooked treasure). Here, she takes the lead while Mary Lou sings backup.

3) The Staves – “Sadness Don’t Own Me.” I’ve been playing the Pine Hollow EP over and over (and over) on my commutes of late. It’s stress-reduction set to song. And this song… as Diane just said, “It’s just so beautiful.”

4) Lucy Rose – “All That Fear.” Hearing the Staves always leads me to Lucy Rose due to “Floral Dresses.” Earlier this week, she shared the video for this Something’s Changing out-take and said this about it on her Facebook page: “My husband Will and I filmed this on our first night in Australia. I was jet-lagged, unwashed hair and had nothing to hide. I wanted to show a side of me that for so long I wouldn’t have shown anyone and a side of me I’ve grown to love.”

5) Laura Marling – “A Hard Rain’s a-Gonna Fall.” The British folksinger recorded this spellbinding cover of the Bob Dylan classic for the Peaky Blinders finale.

And one bonus…

Courtney Marie Andrews – “Kindness of Strangers.” I shared this last week, and the audio before that. It’s another song I can’t get enough of. (Her forthcoming album, May Your Kindness Remain, is going to be grand.)

Today’s Top 5: Songs for ‘Juliana Hatfield Sings ONJ, Part Deux’

There were good and bad times in the 1970s, and plenty of in-betweens, but mostly – for those of us shielded from the bad and in-betweens – just good. We browsed the Internet of its day, the newspaper, each morning while eating breakfast, always skipping the front section for the sports and entertainment pages, and left for school not long thereafter. We hung out with friends in the holding pen that was the school cafeteria, trading jokes, gossip and sometimes homework, and muddled our way through the day until we were free again.

In the late 1970s and early ‘80s, as I wrote in this remembrance of Donna Summer, I often found myself with friends playing variations of football or baseball in the street up from my house, or basketball in a driveway or at the park. A radio tuned to a Top 40 station provided the soundtrack to most of those games. It was rare, in that timespan, for an Olivia Newton-John song not to be among the featured tracks. Check out these stats: From 1978 and “You’re the One That I Want,” the hit Grease duet with John Travolta, through 1983 and “Twist of Fate” (from her Two of a Kind movie reunion with the former Danny Zuko), she scored 13 Top 20 hits, including three No. 1s.

She was hot, in other words. Totally hot.

Anyway, my introduction to her came in 1978 via Grease, about a month before I turned 13. I bought the “You’re the One That i Want” single at K-Mart, traded a friend some not-so-valuable baseball cards for the Grease soundtrack late that summer, and received Totally Hot that Christmas. Somewhere in there, though it may have been the next year, I also picked up the 45 of “I Honestly Love You” and her Greatest Hits album. Both received much play on my Realistic stereo. The soundtrack to Xanadu did, too – how could it not? I even saw the movie in the theater, though only once – unlike the multiple times I saw Grease.

It’s remarkable just how mood-enhancing her music remains. I can’t listen to it and not be placed, almost instantly, into a good mood.

Of course, ONJ is not considered “cool” by some folks, who invariably classify her music as “saccharine” or confine it to the “guilty pleasure” territory. (Not me, mind you. I’ve always subscribed to the John Lennon philosophy of “whatever gets you through the night/it’s alright, it’s alright.”) Which is why, when devouring Juliana Hatfield’s memoir When I Grow Up in 2008, I was pleasantly surprised to see Juliana reference Olivia as someone she listened to as a kid, alongside other such “sweet-sounding” and “nicely groomed” singers as Marie Osmond, Joni Mitchell and Aimee Mann (circa ’Til Tuesday). I was surprised again, in 2012, when she didn’t dismiss my question/suggestion that she cover ONJ for her then-current covers project. She’d considered it, she said, but didn’t think she could pull it off. (See the full exchange here.)

Six years later and it’s obvious that she now believes she can. The track list for the Juliana Hatfield Sings Olivia Newton-John album reads as a near-perfect one-CD best-of, in fact. (The only change I would make: swapping out “Suspended in Time” for “Come on Over.” But I’m sure other fans would make other changes. You can’t please all of us all the time, you know?) In the announcement, Juliana notes that “I have never not loved Olivia Newton-John. Her music has brought me so much pure joy throughout my life. I loved her when I was a child and I love her still. Her voice and her positive energy and her melodies have stood the test of time and they give me as much pleasure now as they ever did. Listening to her is an escape into a beautiful place. She has inspired me so much personally and I just wanted to give something back; to share some of these tremendous songs, reinterpreted, with love, by me.” (If you haven’t already, head over to the American Laundromat site and pre-order her album. It’s gonna be great.)

And, with that, here’s today’s Top 5: Songs for Juliana Hatfield Sings ONJ, Part Deux (aka, Songs for an Imaginary Sequel).

1) “Every Face Tells a Story.” The second single from Olivia’s 1976 Don’t Stop Believing album hit No. 55 on the pop charts, No. 21 on the country charts, and No. 6 on the adult contemporary charts.

2) “Come on Over.” I tipped my hand above, I’m sure. Written and recorded by the Bee Gees for their 1975 Main Course album, Olivia’s cover was released as a single in 1976. It rose to No. 23 on the pop charts, No. 5 on the country charts, and No. 1 on the adult contemporary charts.

3) “Making a Good Thing Better.” The title tune to Olivia’s 1977 Making a Good Thing Better LP didn’t do so well, chart-wise – No. 87 on the pop charts, No. 20 on the adult contemporary charts – but is wonderful, nonetheless. (That said, in some ways – especially the opening – it’s almost stereotypically adult contemporary.)

4) “Landslide.” The second single from Physical failed to make the Top 40, let alone the Top 10 – a true surprise given that it’s as catchy as all get out.

5) “The Promise (Dolphin Song).” It’s sometimes assumed that Olivia was just a singer. In truth, she’s written a fair number of songs – including this sweet one from her Physical album. (It was also the b-side on the “Physical” 45.)