Tag Archives: Tom Petty & the Heartbreakers

Of Concerts Past: Tom Petty & the Heartbreakers in Philadelphia, 2/6/90

February in the Philadelphia region can be a cruel, cruel month. It’s usually cold and often snowy, with icicles dangling from gutters and tree limbs like daggers aimed at spring. Such was not the case in 1990, however. We were in the midst of a mild, mild winter – the mean temperature for December 1989 was 41; January’s was 56; and February’s was 60.

That’s not to say the days and nights were sans inclement weather – it rained 10 days and flurried on two. This specific day, Tuesday the 6th, the temps aligned with the overall warming trend: We experienced a high of 59 and a low of 30. But it was an even hotter night in South Philly, where Tom Petty & the Heartbreakers played the Spectrum.

At the time, I managed the CD departments at two locations for a regional video-store chain, one of which had a Ticketmaster machine – which was how two floor tickets for this concert fell into my lap. Just as the store’s doors opened at 10am sharp, the person manning the machine pushed a button, and my tickets printed and were put to the side as a stream of fans flowed to the counter to purchase theirs.

At least, that’s how it usually worked; but time, distance and memory being what they are, I don’t recall this specific transaction.

Why I bought the tickets: I’d been a fan of Petty’s since 1979 and “Refugee”…

…and bought many – though not all – of his albums in the years that followed. He was dependable – even his worst LPs were better than most. And, too, he seemed like a good guy. Not only did he fight to keep record prices low (famously threatening to title the album that became Hard Promises “Eight Ninety Eight” if his label upped its retail price to $9.98), but in the late ‘80s he showed up on one of my favorite TV shows, It’s the Garry Shandling Show, as a friendly neighbor.

Anyway, by 1990, he was riding high from the unexpected blockbuster success of Full Moon Fever, his first solo album, which had been released the previous April. But, for me and my tastes, I preferred and played his previous album with the Heartbreakers, 1987’s Let Me Up (I’ve Had Enough), more often. It was looser and less polished, and had hooks galore. His under-appreciated 1985 album Pack Up the Plantation was another (double) platter I often played, in those days. It wasn’t just a run-through of his greatest hits, but a smart set with some way-cool covers. Here’s one of my favorites from it:

To the show itself: My memory is decidedly cloudy – I didn’t even remember that Lenny Kravitz, who we’d seen three months earlier at the Chestnut Cabaret, opened until Diane reminded me of it a week or two ago. What I do recall: Our view of the stage was stellar; the early portion of the set spotlighted Full Moon Fever, which was followed by Stan Lynch’s “Down the Road a Piece” and Benmont Tench’s “Ben’s Boogie” (an extended bathroom break/beer run); and the totally unexpected (by me, at least) cover of Thunderclap Newman’s “Something in the Air.”

It was a a magical moment, that song.

I also recall the show’s final quarter, when Petty and the Heartbreakers cranked up some of their biggest, best and hardest-hitting numbers: “You Got Lucky,” “Rebels,” “I Need to Know,” “Refugee” and “Runnin’ Down a Dream.”

The encores were good, too: “The Waiting” and “American Girl.”

All in all, it was a solid concert with stellar moments – not great, but good. The emphasis on Full Moon Fever, while understandable, would have been fine if the show ran longer than an hour and a half, or if the extended bathroom break/beer run had been replaced with a few more of Petty’s past classics.

In the years that followed, I often contemplated seeing Petty and the Heartbreakers again. That I didn’t is easily, now, one of my greatest regrets. He had a knack for creating cool and concise tunes that were packed with hooks, and for writing lyrics that said something.

Here’s an entire concert – same setlist – from five days earlier, in Providence, R.I.

The set-list:

  1. Love Is a Long Road
  2. A Mind With a Heart of Its Own
  3. Breakdown
  4. I Won’t Back Down
  5. Free Fallin’
  6. Down the Road a Piece (Stan Lynch)
  7. Ben’s Boogie
  8. Don’t Come Around Here No More
  9. A Face in the Crowd
  10. Listen to Her Heart
  11. Something in the Air
  12. Alright for Now
  13. Yer So Bad
  14. You Got Lucky
  15. Rebels
  16. I Need to Know
  17. Refugee
  18. Runnin’ Down a Dream
  19. The Waiting **
  20. American Girl **

(** = encore)

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Today’s Top 5: Cool Sounds, Vol. Whatever

On Tuesday, a former supervisor mentioned to me that she’s been obsessing over Jason Isbell’s latest album, The Nashville Sound.

I wasn’t aware that he had a new album out. 

In my defense: I’m not overly familiar with Isbell, his oeuvre or that of his former band, the Drive-By Truckers. Diane is, however, and informs me that we actually had tickets to see the Truckers during the Isbell years, but didn’t go because one of us was ill. In 2015, we saw him accompany his wife Amanda Shires on three songs at the World Cafe Live, when she opened for Lee Ann Womack – well, “see” is being generous. Our seats were to the right of the soundboard, blocking the left half of the stage – where he stood, more or less.

Shires is another of Diane’s artists. Just as, say, First Aid Kit are one of mine.

Until this summer, when we consolidated for air-conditioning purposes, our desks and computers – where we both do much of our listening – have been in separate rooms for decades. So while there is plenty of music we enjoy together, there’s much that we each like that the other knows primarily from osmosis, if at all. Back in the pre-Internet era and our 5-CD player, that was far less frequent. Oh, we both had artists we enjoyed more than the other, but nights-long Acquire or Tetris tournaments ensured that we heard just about everything the other was listening to.

Which is a longwinded way to say: I could and probably should have been familiar with Isbell long ago.

And with that, here’s today’s Top 5: Cool Sounds, Vol. Whatever.

1) Jason Isbell & the 400 Unit – “Last of My Kind.” So, Tuesday, I pulled up Nashville Sound in Apple Music and listened to it on my commute home from work; and this, the opening track, sent not the proverbial chills up or shivers down my spine, but a flash of recognition through the synapses of my soul. True, the song charts an experience far from mine – that of a country kid in a big city – but the haunting refrain is a universal lament for any of a certain age.

We, the children of the ‘70s and ‘80s, are indeed the last of our kind.

2 First Aid Kit – Glastonbury, 6/21/17. Klara, Johanna and band deliver a great set at the annual Glastonbury Music Festival in Somerset, England. Among the highlights: “Ghost Town” and a song from the ‘70s…”The Gambler.” (Yes, the Kenny Rogers hit.) Also, in an interesting development – Johanna has traded the keyboards, which is what she primarily played on the 2014-15 tour, for bass guitar. There’s only one drawback…

3) First Aid It – “My Silver Lining.” …which is, if you watched all 45+ minutes of the above, you’ll have suffered concert interruptus due to the exclusion of the set’s last song, “My Silver Lining.” But it’s okay: BBC Music posted it.

4) Beau + Luci – “Muddy Water.” Here’s another sister act, this one from the swamplands of southern Georgia. (For more on them, see my Q&A with them.) This is another gem from their recent Fire Dancer EP.

5) Kasey Chambers – “Crossfire.” So I’m still buzzed from the Kasey show we saw on the 5th – how could I not be? Here, she and the band perform one highlight (of many) from her 2001 album Barricades & Brickwalls.

And three bonuses…

6) Joe Pug & Courtney Marie Andrews – “Insider.” So Joe and Courtney are touring Down Under – and, as Joe explains here, discovered that they both like Tom Petty. (How could anyone not?) Here, he plays Tom to Courtney’s Stevie Nicks on this classic song from Petty’s 1981 album, Hard Promises.

7) Tom Petty & the Heartbreakers – “Something in the Air.” So Diane and I saw Tom & Co. way back in 1989 – a great show that included their cover of this Thunderclap Newman classic. Here’s their Live Anthology rendition of it…

8) I’m With Her – “Little Lies.” Sarah Jarosz, Sara Watkins, and Aoife O’Donovan band together in a wondrous folk collective they call I’m With Her. Beautiful work.

Today’s Top 5: As Brought to You by Karrie

In the first of what I hope to be an ongoing, occasional feature, I’m turning today’s Top 5 over to someone else – in this case, the Irish singer-songwriter Karrie, whose 2016 album Perpetual Motion I reviewed a few weeks back. She released the single, “I Don’t Hear You,” a few weeks back, too.

As detailed elsewhere, she got a late start in the music business, swapping horse training for singing after the economy tanked in 2009 -, though you wouldn’t know it from her music. (More on that here.) Job change aside, she still maintains her farm – and took time out of making hay (literally) to field my questions.

Did you sing around the home prior to transitioning to music? You have such a wonderful voice, I can’t imagine that you didn’t share it with, at the least, family and friends – and horses, for that matter. 

I come from a family of nine children. (I’m last in the line, the youngest.) Everyone can sing. When it’s not an unusual thing, it’s a given. We always sing at family get togethers. Having a big family puts you in line. My older sisters and brothers pretty much chose what music the younger ones heard. Joni Mitchell’s song “Carey” is on her 1971 album Blue; I was nicknamed after it.

I won’t ask your age, but it sounds like you were in your mid-30s when you shifted to music.

I was born in ’75 . That in mind, my influences were well embedded in my head by the time I wrote my very first song at 34, “Stay Away.” (It’s on my first album, Jelly Legged).

That first open-mic night – about how many people were in the audience? What song did you sing?

I don’t really like to recall my first gig . I think it was an ill chosen venue in Cork city. An open-mic night for rock music . Think I bombed!

About “I Don’t Hear You” – it’s such a wondrous piece. What inspired it? 

“I Don’t Hear You” is a song I wasn’t very careful about writing. Its content must be a delayed reaction to continuous pressures. Kinda like getting numb to something.

I hear what I imagine are several influences in it. The opening bass (as short as it is) reminds me of the opening to “Wichita Lineman,” for example, and the horns conjure the Style Council (my wife hears it, too, but we’re also Paul Weller fans; or she’s just saying so to humor me). Both add to my delight with the song. Were those nods intentional? Happy accidents?

I really love hearing about what people get from my music . This is funny because “Wichita Lineman” is right up there in my most favorite songs. An interesting note on this might be that I don’t write the instrumental music for my songs bar having some ideas here and there. I mostly write a cappella, probably 99% of the time. I do make sure my song is complete when I give it over to “wardrobe.” It’s a selfish thing I guess. Jimmy Smyth produced here. I don’t tell him how to play guitar.

——————–

And, with the Q&A out of the way, here’s today’s Top 5: As Brought to You by Karrie. They are not (necessarily) her all-time favorites, just songs that she loves –

1) Joni Mitchell – “Carey.” My memory of it is I was very small  My sisters would pick me up  in their arms and dance with me singing along to Joni. Joni Mitchell influences me now in almost everything I write.

2) John Martyn & Danny Thompson – “Sweet Little Mystery” from Live In Dublin. John Martyn lived in Ireland. He was alive here and I didn’t I know how important his music would be to me. I was still training horses when I heard him first on the radio and thought this guy is out on his own. It very nearly made me turn from horses years before I did. I wish I had sought him out. I think It would have made a very big difference to my then poor decision making. It still bothers me that I ignored my own self wanting to go hear him live. Such a regret.

3) Elvis Costello – “Brilliant Mistake.” This song is like a movie. It’s perfect in every way.

4) Rickie Lee Jones – “Flying Cowboys.” This, along with its video, is also so perfect. (Unfortunately, the video isn’t on YouTube. But the song is…)

5) Tom Petty & the Heartbreakers – “Don’t Come Around Here No More.”

And one bonus…

6) Thom Moore & Midnight Well – “Soldier On.”