Tag Archives: Olivia Newton-John

When Worlds Collide: Juliana Hatfield at the Ardmore Music Hall, 10/12/17

Three weeks back, trumpets blared, timpani rumbled, clouds parted, and an angel came forth to announce that Philadelphia’s favorite Brit wordsmith (or, at least, one of them), Wesley Stace – aka the artist formerly known as John Wesley Harding – and his band, the English UK, were to play the Ardmore Music Hall…on the same night as a Philadelphia Eagles matchup against the Carolina Panthers on Thursday Night Football. With him: Juliana Hatfield.

Was he opening? Was she? The social-media advertisements, as well as the poster outside the venue, never quite made it clear. Their names were in equal-sized type; and hers was preceded by a plus sign. Was she solo or with the Three, as at the Boot & Saddle earlier this year? (The brutal grace of that night will stay with me forever.) The Juliana Hatfield Three Facebook page was advertising the show, after all. Those questions of a thousand dreams haunted my nights and days – well, not really. We had our tickets and, either/or, it was a guaranteed good time.

But in football-crazed Philadelphia, unless one is Springsteen, Joel or similar stadium-name headliner, scheduling a last-minute show against the Eagles – especially when they’re doing well, which they are – is asking for a sparse turnout.

Which, this night, it was.

Stace and the English UK started the night with a taut 45-minute set that mixed new and old songs, including “Making Love to Bob Dylan,” the wondrous “Canterbury Kiss” and selections from his recent Jayhawks-backed Wesley Stace’s John Wesley Harding album. He also offered humorous anecdotes and explained (as had the bartender when we arrived) that he and the band would join Juliana after her solo set. The show came about, he said, a few weeks earlier while he was walking in the Philly neighborhood of Fishtown. It dawned on him that, with a day off between two of his Cabinet of Wonders shows, they might as well make use of it. He texted the Ardmore booker, who texted back, and voila! A gig was born.

Juliana took to the stage at about 9:15 and, once her electric guitar was plugged in, began her solo set with “Butterflies” and “If I Wanted Troubles.” She hit a speed bump in “Parking Lots,” first messing up the lyrics and then singing out of tune. After one more attempt, she cut it short and moved on. “Slow Motion,” the song I most hoped to hear, was absolutely sublime:

After that song, she switched to acoustic and…in what’s fast becoming my favorite overused phrase, “wow. Just wow.” On electric, especially at first, she seemed a little off – almost as if she was waiting for a band to kick in. And, too, there were moments near the end of songs when she’d stop, applause would start, and then she’d strum a few more bars. On acoustic, there was none of that. “Choose Drugs” was, in a word, mesmerizing, and “I Want to Be Your Disease” simply venomous.

And then the English UK joined her for “Shining On” and then Stace returned…can I say “wow” again? The band ably accented Juliana’s material. “Somebody Is Waiting for Me” was beyond any and all superlatives I can think of.

And “Wonder Why,” one of the stellar tracks from this year’s Pussycat, just rocked.

At that stage, I would’ve been happy if Juliana and Stace said their farewells – it was a great show, already. But what followed put it in the stratosphere: Juliana played two songs from her forthcoming album…an Olivia Newton-John tribute album (!) tentatively titled Hopelessly Devoted to Liv.

While I’m sure that Wesley Stace never once imagined himself singing the immortal lyrics of “let me hear your body talk” prior to this night, hey, all I can say is this: shivers reverberated up and down my spine. I found the performances phenomenal and fun.

Diane, on the other hand, says they were “interesting”; and, tongue hopefully in cheek, blames me for the turn of events. Way back in 2012, in a “20 Questions” for the covers album, I posed a wordy question to Juliana that (for brevity’s sake) I trimmed for the published Q&A. The full exchange read:

Me: In your book, you write about liking ONJ as a kid. If you were to cover one of her songs, which would it be? (I can hear you singing – and having a hit with –  “A Little More Love” or “Deeper Than the Night.” Not that that should influence the song selection for your current covers project).

Juliana: I don’t think I could do any of her songs. I thought about [it] for this covers album but nothing feels authentic when I try to do it. She had such a sweet voice and a personality and could bring to life songs that I wouldn’t be able to bring to life. And some of her songs are really goofy.

Aside from the hard-hearted, anyone who came of age in the late ‘70s and/or early ‘80s can likely attest to the powerful charm of Olivia’s songs and albums (one of which is a future Essentials pick) of that era. True, those tunes primarily dealt with matters of the heart. Sometimes they were sweet, sometimes goofy, but they were rarely saccharine. And when I hear them today? They take me back – in a good way.

That Juliana is paying tribute to ONJ and those songs – it’s cool.

Here’s the set in full:

Solo Electric:

  1. Butterflies
  2. If I Wanted Troubles
  3. Parking Lots (cut short)
  4. June 6th
  5. Everybody Loves Me But You
  6. I Picked you Up
  7. Slow Motion

Solo Acoustic:

  1. Christmas Cactus
  2. Choose Drugs
  3. I Want to Be Your Disease
  4. Evan

Juliana & English UK:

  1. Shining On
  2. Somebody Is Waiting for Me
  3. Wonder Why
  4. Have You Never Been Mellow
  5. Physical
  6. My Sister
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Today’s Top 5: February 19, 1977 (via Weekly Top 40)

Forty years ago today, as I write, the first full month of the Carter presidency was almost over; and, all things considered, it had been rather boring. The big news of the day was the revelation that Jordan’s King Hussein had been on the CIA payroll for at least a decade; and, because Jimmy Carter vowed during his presidential campaign to be the first to shed light on such shenanigans, some saw his administration’s newly announced policy of not commenting on covert affairs as being somewhat hypocritical.

Beyond that, the scourge known as inflation had jumped half a percent point to 5.9 percent this month; and the unemployment rate was 7.6 percent, about the same as it had been the year before. Weather-wise, at least in the Philadelphia region, it was freakishly mild – in just a few days (the 23rd), we’d hit 70 degrees.

Probably the biggest news in my world, however, was that the Hardy Boys/Nancy Drew Mysteries had premiered on ABC on the last day of January.

There was plenty of good TV shows in those days – well, what I, at all of 11 years old, considered to be good, including Happy Days and Laverne & Shirley on Tuesdays; and The Donny & Marie Show on Fridays. For anyone who has never had the pleasure of that specific variety show, here’s the Feb. 11th, 1977 episode in its entirety:

Anyway, enough of the preamble. Here’s today’s Top 5: February 19, 1977 (via Weekly Top 40) – and they are, in fact, the Top 5 songs of the week.

1) Manfred Mann’s Earth Band – “Blinded by the Light.” Written and recorded by Bruce Springsteen on his 1973 debut, Greetings From Asbury Park, NJ, and released as his first single, this classic song was destined for general obscurity until Manfred Mann’s Earth Band released their cover version as a single. Not only did it chart, but it went to No. 1!

2) Eagles – “New Kid in Town.” Glenn Frey, Don Henley & Co. released their classic Hotel California LP in December 1976; and this, the first single from it, worked its way to the top of the charts for the week of Feb. 26th. This week, however, it was holding steady at No. 2.

3) Mary MacGregor – “Torn Between Two Lovers.” Falling from No. 1 to. 3 this week is this soft-rock ode to infidelity, which was co-written and co-produced by Peter Yarrow of Peter, Paul & Mary.

4) Barbra Streisand – “Evergreen (Love Theme From A Star Is Born).” Clocking in at No. 4 is this theme from A Star Is Born, which was co-written by Streisand and Paul Williams. It would top of the charts in two weeks’ time.

5) Kenny Nolan – “I Like Dreamin’.” Until just now, I’d never heard or heard of this song before. Nolan, it turns out, co-wrote such hits as “My Eyes Adored You” and “Lady Marmalade” before launching his solo career.

And a few bonuses:

6) Thelma Houston – “Don’t Leave Me This Way.” The Number 19 song this week is this fun disco-lite tune.

7) Wings – “Maybe I’m Amazed.” Released as a single on Feb. 4th, this live version of the classic Paul McCartney song checks in at No. 37 (on its way to No. 10). It was a single from the Wings Over America, a live set that, according to Wikipedia, set history by becoming the first triple-LP release by a group to hit No. 1 on the album charts.

8) Olivia Newton-John – “Sam.”

Today’s Top 5: September 20, 1980

We watched Ordinary People last night. It’s a film we’d both seen before, though not in decades. Diane first saw it in a movie theater not long after its Sept. 19, 1980, release and I first saw it on PRISM, a now-defunct regional premium cable channel that was popular in the Philly area at the time, about a year later. An understated and powerful movie, it won a bevy of Academy Awards, including Best Picture, Best Director (Robert Redford, in his directorial debut) and Best Supporting Actor (Hutton).

ordinarypeopleFor those unfamiliar with it, the drama delves into the dynamics of a dysfunctional family following the death of eldest son Buck (Scott Doebler), who perished in a sailing accident that youngest son Conrad (Timothy Hutton) survived. As the story opens, Conrad has recently returned from a stay at a psychiatric hospital after a failed suicide attempt; he’s racked with survivor’s guilt. Mother Beth (Mary Tyler Moore, in an Oscar-nominated performance) is emotionally distant, more concerned with appearance than addressing his (or her, for that matter) needs. Father Calvin (Donald Sutherland), on the other hand, just wants everyone to get along. As Roger Ebert put it in his review, he’s “one of those men who wants to do and feel the right things, in his own awkward way.” Enter psychiatrist Tyrone Berger (Judd Hirsch) and the down-to-earth Jeannine (Elizabeth McGovern), a girl who catches Conrad’s eye. Both, in their ways, help him overcome the guilt – one knowingly, the other not.

In other entertainment events from that September, the Dionne Warwick-hosted Solid Gold syndicated music series debuted on the 13th.

I have no memory of whether I watched it or not; likely not. If I wasn’t out at a movie – at the Hatboro Theater in downtown Hatboro or the Eric Theater in the Village Mall in Horsham – I was likely reading the Sunday newspaper while listening to the oldies on the radio, listening to music in my room and/or watching TV. (How’s that for narrowing it down?) I was 15, a high-school sophomore and serious music fanatic.

Among the album releases for the month: Kate Bush’s Never for Ever; David Bowie’s Scary Monsters (and Super Creeps); the Doobie Brothers’ One Step Closer; Ozzy Osbourne’s Blizzard of Ozz; Barbra Streisand’s Guilty; Utopia’s Deface the Music; Stevie Wonder’s Hotter Than July; and Molly Hatchet’s Beatin’ the Odds.

And, with that – onward to today’s Top 5: September 20, 1980, in which I cherry pick my favorite hits from the Weekly Top 40 for the week in question…

1) Diana Ross – “Upside Down.” For the third week in a row, Diana held the top spot with this infectious song. It, like the 1980 diana album as a whole, was written and produced by Chic’s Nile Rodgers and Bernard Edwards, though the end result was not what they intended. Afraid that the original mix was too disco, which was quickly falling out if favor, Diana and engineer Russ Terrana gave the set a sleek, more pop-oriented makeover.

2) Irene Cara – “Fame.” Holding steady at No. 4 is this classic theme song. If you watched the above Solid Gold clip, you know that Irene sang (or lip-synced) it there; it’s such a great song, though, that I can’t help but share it again (And, yes, I know I’ve shared this same clip before – here, to be precise.)

3) Paul Simon – “Late in the Evening.” Clocking in at No. 7 is this classic from Paul Simon, which is one of my favorite songs by him.

4) Olivia Newton-John & Electric Light Orchestra – “Xanadu.” Just bubbling under the Top 10, at No. 12, is this, the title song to the movie musical, which was released the previous month. I saw the film at the aforementioned Eric Theater and, like most who did, didn’t find it a five-star affair. (An understatement, that.). The soundtrack, however, was darn good; I played it to death.

5) Bob Seger & the Silver Bullet Band – “You’ll Accompany Me.” Here’s a classic song from Michigan’s rock ’n’ roll laureate. Against the Wind, the album that it’s from, was my Album of the Year for 1980; I still think it’s great.

And, for today, a few bonuses…

6) Christopher Cross – “Sailing.” Falling from No. 5 to 15 is this Grammy Award-winning song from Christopher Cross. I imagine that this song, from Cross’ debut, would be lumped into what’s now known as “yacht rock.” Whatever. At the time, I found it a pleasant diversion that I didn’t need to own – it was played fairly often on the radio, after all. Nowadays? I often play Rumer’s version from her 2014 B-Sides & Rarities collection.

7) Olivia Newton-John – “Magic.” This classic ONJ number held the top spot for four weeks in August before beginning its downward drift. This week, it fell from No. 13 to 27. Here she is on The Midnight Special promoting it…

8) Jackson Browne – “That Girl Could Sing.” Debuting on the charts this week, at No. 82, is this classic song from Hold Out, Browne’s only album to reach No. 1.