Category Archives: The Plimsouls

Today’s Top 5: An Old Grey Cat Retrospective, Part 1

Although the final stats will have to wait until New Year’s Eve, it’s safe to say that 2016 has been a banner year for the Old Grey Cat blog: 500+ more visitors and 2100+ more page views than 2015. Wow! Thank you to everyone who has stopped by from time to time.

Anyway, this week, I thought I’d look back at the Old Grey Cat’s 2016. First up: my most-viewed (new) posts of the year, along with one featured clip from each. (I’ll post a roundup of my favorite posts on Thursday.)

1) Today’s Top 5: August 1984 (via Record Magazine): Little Steven & the Disciples of Soul – “I Am a Patriot.”

2) Diane Birch – Nous: “Stand Under My Love.”

3) Today’s Top 5: Songs of the Seventies: Fleetwood Mac – “Rhiannon.”

4) Today’s Top 5: Saturday, 6/25/2016: Rylie Bourne – “Mary Ann.”

5) Bruce Springsteen in Philly, 2/12/16: We Have Met the Future and It Is Us: “Prove It All Night.”

And what would one of my Top 5s be without a few bonuses?

6) Today’s Top 5: Blake Babies: “Temptation Eyes.”

7) Today’s Top 5: September 1983 (via Musician): The Plimsouls – “A Million Miles Away.”

Today’s Top 5: September 1983 (via Musician)

IMG_1063September 1983: I was 18, attended Penn State’s Ogontz campus, lived at home and worked part-time as an usher at the Hatboro Theatre, a single-screen movie (not-quite) palace that was torn down the following year to make room for a Wendy’s.

At the start of the month, the Eurythmics ruled the charts with “Sweet Dreams (Are Made of This)”; and Billy Joel held the top spot with “Tell Her About It” by its end. Popular films included Mr. Mom, National Lampoon’s Vacation, Risky Business, Cujo and Easy Money.

My purchases for the month: Kate Bush’s The Dreaming and her self-titled mini-LP (kind of a mini-sampler); Michael Jackson’s Thriller; Joan Jett’s Album; Patti Smith’s Easter; Linda Ronstadt’s What’s New; Heart’s Passionworks; Led Zeppelin’s Coda; the Beatles’ Revolver; Bad Company’s Desolation Angel; Pat Benatar’s Live From Earth; and Harry Chapin’s Heads & Tales. I also picked up five singles: Pat Benatar’s “Love Is a Battlefield,” Jerry Lee Lewis’ “Breathless,” Janis Joplin’s “Down on Me,” the Zombies’ “Time of the Season,” Don McLean’s “American Pie” and Sly & the Family Stone’s “Everyday People.”

I also bought this issue of Musician. Prince is on the cover, and there’s an in-depth interview with him inside, but I bought it because of the name below his: Joan Jett.

IMG_1064Anyway, at that point, Prince was still riding high on the success of 1999, which had been released the previous October, but the Q&A (by Barbara Graustark) is about much more than that double-LP set. It delves into his early years, rocky relationship with his dad and entry into music, as well as the esoteric subjects of the songs themselves.

“I think I change constantly, because I can hear the music changing,” he says. “The other day I put my first three albums on and listened to the difference. And I know why I don’t sound like that anymore. Because things that made sense to me and things that I liked then I don’t like anymore. The way I played music, just the way I was in love a lot back then when I used to make those records. And love meant more to me then—but now I realize that people don’t always tell you the truth, you know? I was really gullible back then. I believed in everybody around me. I believed in Owen [Husney, his first manager], I believed in Warner Bros., I believed in everybody. If someone said something good to me, I believed it.”

Anyway, onward to today’s Top 5:

IMG_10661) Prince – “Controversy.” In addition to the Graustark piece, there’s a short Q&A with rock critic Robert Hilburn.

Musician: I liked your first two albums, but it seemed to me that the third record, Dirty Mind, was really a growth.

Prince: Yes, the second record (For You) was pretty contrived. After the first record, I put myself in a hole, because I’d spent a lot of money to make it. With the second record, I wanted to remedy all that, so I just made it a “hit” album. I usually write hits for other people, and those are the songs I throw away and don’t really care for. Dirty Mind started off as demo tapes; they were just like songs inside that I wanted to hear. So I took it to my manager and he said “This is the best stuff I’ve heard in a long time. This should be your album.” The drag is that I don’t know how I could make another album like that. I usually change directions with each record, which is a problem in some respects, but rewarding and fulfilling for me. I have mixed emotions.

Musician: The fourth album, Controversy, sounds more new wave. 

Prince: It depends a lot on what instrument I write on. When I write on guitar, I come up with songs like “When You Are Mine” and “Ronnie Talks to Russia.” When I start with drums, I get “Controversy.” Controversy is a little erratic. I’m really proud of this new album (1999).

IMG_10672) Joan Jett & the Blackhearts – “Fake Friends.” Charles Young has an excellent profile of former Runaway Joan Jett that, among other things, delves into her gum-chewing prowess: “‘I like to make a lot of noise and blow bubbles,’ chews Joan, now twenty-three and still fully cognizant cool. ‘It’s a good way to clear out sleeping space on airplanes.'” Of her old band, she says: “We were just a good band that wanted to have a good time onstage. What were all those other groups singing about? They didn’t have to answer those naive questions: ‘Oh my God, this is your career? What are you going to do if you find the right boyfriend? Will you dump your career?’ Well, not me. When I listen to our old records or read old articles, I still don’t understand what got people so uptight. They were afraid we’d rob their houses or kill someone.”

Of this song she says, “I think ‘Fake Friends’ is not so much about anger as a show of disgust. It’s not a big deal to lose fake friends, people who just tell you what you want to hear. You don’t have to be in rock ’n’ roll to understand that.”

IMG_10693) Joan Jett & the Blackhearts – “The French Song.” In addition to the Young piece, there’s a review of Jett’s third album, simply titled Album, by one R.J. Smith, who summarizes it as “better than Wayne Newton, gravel in a Maytag, and is frequently the equal of Jett’s two earlier records.. It shows her uneasily accommodating to her arena-sized success. But if the record’s an on-again, off-again rumbler, it frequently bangs about with the glory of a buffalo padding down Park Avenue.” Later, he observes that “[t]he production terraces the sound on Album in surprising ways. On ‘The French Song,’ for instance, half the chorus soothes like a Stevie Nicks velvet glove, just before the rest of it interrupts with a punch.”

He concludes with: “‘I am what I am,’ Jett growls in ‘The French Song,’ like Popeye immediately after a green fix. And what she is comes into focus on Album: not the dedicated fan of I Love Rock ’N Roll, but a professional who knows it’s too late to turn back now. For the first time, it’s her original material and not the covers that carries the day. She has to think harder about what to do next, in the wake of her chart-topping success. Album isn’t a full answer. Still, it provides more than enough reasons for waiting around until she tries again.”

IMG_10704) Kate Bush – “Sat Into Your Lap.” In June 1983, EMI release a five-song EP to help introduce Kate to us Americans. It featured two tracks from The Dreaming, including this one.  J.D. Considine first raves about the cleaner sound for the tracks lifted from The Dreaming. It “makes it easier to absorb the layers of detail Bush packed into “Sat Into Your Lap” and “Suspended in Gaffa.” The rippling rhythms of “Sat” are far more effective when you can hear them all, and the nuances of Bush’s vocals stand out impressively. But at the same time, the sonic clarity also shows up just how much of Bush’s handiwork is gimmickry and how little is magic.” He also equates “Babooska” with an “elementary school Christmas pageant,” and concludes with “[a]fter The Dreaming suggested that Kate Bush was both daring and different, this record seems to show that she’s really pretty much the same as any other over-ambitious chanteuse.”

IMG_10725) The Plimsouls – “A Million Miles Away.” J.D. Considine is much nicer to the Plimsouls, one of the great lost L.A. bands of the ‘80s (and featured to great effect in the classic Valley Girl film): “Now here’s a garage band that has come to terms with its time. Even though producer Jeff Eyrich has slicked up the Plimsouls, tightening the arrangements and turning ‘A Million Miles Away’ into mainstream hit material, he’s left the band’s drive and bite intact. So not only are the Plimsouls able to make the most of their smarts, as on Peter Case’s ‘Shaky City,” they also enjoy the luxury of sounding dumb, as on the grimy ‘Lie, Beg, Borrow and Steal.'”

Today’s Top 5: Songs From Valley Girl

vg_first_cdThe 1983 movie Valley Girl is not a five- , four- or even three-star effort, yet it’s fun with a capital F. It ably captures the flavor of the early ’80s while unreeling a plot shared by many a teen flick: a girl (Deborah Foreman) falls for a guy (Nicholas Cage) from the wrong side of the tracks.

The DVD bonus features are cool, too. Nicholas Cage sits down with the film’s director, Martha Coolidge, for a fascinating conversation; and there’s a documentary that hones in on the acts whose music filled the totally tubular soundtrack. The singer from Modern English, for example, recalls how the band was playing to, at most, 200 indifferent club-going folks a night in England when “I Melt with You” – thanks to MTV – became a major hit in the States. They flew to Florida for their first gig (dressed for cold weather, no less), and found themselves playing to a crowd of 10,000 screaming fans who knew all the words to all their songs.

moremusic_vgIn addition to Modern English, that soundtrack included songs from the Plimsouls, Flirts, Josie Cotton and Bonnie Hayes. At the time, though, licensing issues prevented its release on vinyl – a real shame, as it likely would’ve helped some of them graduate from “struggling” to “successful.” It wasn’t until a decade later, in fact, that two CD collections “inspired” by the flick hit the store shelves. (Some of the songs weren’t in the movie, but are representative of the era.) So, for today’s Top 5: Music From Valley Girl. Some are true lost treasures.

1) Modern English – “I Melt With You.” I saw Modern English in May 1983, when they opened for Roxy Music at the Tower Theater. My main memory of their performance: kids spilling into the aisles to dance when they played this song.

2) The Plimsouls – “A Million Miles Away.” Never saw the Plimsouls, but I did catch Peter Case at Dobbs one very-late night in 1989 on his tour in support of his The Man with the Blue Post-Modern Fragmented Neo-Traditionalist Guitar album. Good show.

3) The Flirts – “Jukebox”

4) Josie Cotton – “He Could Be the One”

5) Bonnie Hayes with the Wild Combo – “Girls Like Me”