Category Archives: The Jam

Today’s Top 5: 16 or 10 to 6

This morning, I played The Freewheelin’ First Aid Kit – a playlist I created on YouTube a while back, after coming up with the idea here. As the name infers, it features their versions of a few Bob Dylan songs (plus a few other cool covers). First Aid Kit are relative young ‘uns, of course, and their willingness to dig deep into the music of the past is, well, a joy to behold.

I’d love to read a list of their seminal albums.

Which leads to this: Over the past week or so, my Facebook newsfeed has exploded with lists by friends and acquaintances of albums that made a lasting impression on them during their formative years. Such lists get flung around on Facebook every now and again, it seems. This specific meme lays down a few rules: list 10; don’t think too long or hard about them; and don’t choose more than one per artist or band. Some respondents expand the 10 to 20 or even 30; and quite a few can’t help but to push the “one album per artist” rule to two or three. They are always interesting to read.

me_headphones_80ish007-1Anyone who’s spent time on my blog already knows most, if not all, of mine. My music-obsessiveness kicked into gear a few months prior to my turning 13 in 1978 – and has lasted ever since. I’ve always been a fairly open-eared listener, awash (at various times) in the Top 40, AOR rock, oldies, country and adult contemporary, plus disco, R&B and soul. I have no shame, and no “guilty pleasures.” Life’s too short for that.

Some days, I listen to little. Others? I play a lot. On my Wednesday morning commute, I listened to the Jam’s Snap collection, which I had on vinyl way back when; on my way home, I played the Kinks’ One for the Road, another favorite 2-LP set from my teen years. In between, at work, I strapped on my headphones and listened to the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band, Neil Young’s On the Beach, Gladys Knight & the Pips’ Imagination and, because I’m not totally stuck in the past, the Staves’ If I Was and Harriet’s debut. The day before, while working from home, I made it a Rumer day, and listened to her entire oeuvre (minus Stereo Venus). Right now, I’m listening to Jackie DeShannon’s Are You Ready for This?, a wonderful but oft-overlooked gem of an album she released in 1966 –

– but before that it was Imagination (again) and the Jam’s The Gift.

Anyway, here are not 10 nor 20, but 16 albums from my teen years that (along with lots of others) laid the foundation for much that has followed, arranged in (more-or-less) chronological order as to when I acquired them. Though some are stone-cold classics, others obviously are not – yet they were, in their way, equally important in the evolution of my music-obsessiveness. Then as now, my listening pleasures weren’t always new; some things I discovered from the radio, others from the music magazines and, often, the Rolling Stone Record Guide. I’ve also reduced the span from my teen years to my middle- and high-school days (1978-1983); and, in some instances, included links to past posts where I discuss the album or artist.

It’s also far from definitive. Rickie Lee Jones’ stellar debut isn’t mentioned, for example, though it should be (and is, in a way, now). When I finalize my All-Time Greatest Albums list, which I’m in the process of doing, such lapses and oversights will be corrected.

  1. Paul McCartney & WingsLondon Town
  2. Olivia Newton-JohnTotally Hot
  3. The Beatles – 1967-1970 
  4. Linda RonstadtMad Love
  5. Bob Seger & the Silver Bullet Band – Against the Wind
  6. The Go-Go’sBeauty & the Beat
  7. The PretendersExtended Play
  8. Neil Young & Crazy Horsere*ac*tor
  9. Joan Jett & the BlackheartsI Love Rock ’n’ Roll
  10. Janis Joplin – Pearl
  11. Marvin Gaye – What’s Going On
  12. Dusty SpringfieldDusty in Memphis
  13. Lou ReedRock ’n’ Roll Animal
  14. Patti Smith Easter
  15. The JamThe Gift
  16. Roxy Music – The High Road

Anyway, here’s today’s Top 5: 16 or 10 to 6. AKA, songs from six of the above albums…

1) Olivia Newton-John – “Deeper Than the Night.” Fresh from the success of Grease, Olivia released what may well be the greatest album of her career, Totally Hot.

2) The Go-Go’s – One of the greatest crimes of the 21st century: That this band is not in the Rock & Roll Hall of Fame. Here they are with “Lust to Love” from Beauty & the Beat…

3) The Pretenders – “Talk of the Town.” Extended Play is no more, which is a shame. A five-song classic it was, and this song was my favorite (with “Message of Love” a close second).

4) Roxy Music – “Like a Hurricane.” The High Road was another EP – and is another lost gem, as it fell out of print.

5) The Jam – “Just Who Is the Five O’Clock Hero?” Paul Weller. The Jam. From their swan song, The Gift.

And… one bonus:

6) Patti Smith – “Because the Night.” From Easter.

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Today’s Top 5: Dreams, Dreamers and Dreaming…

Today’s top 5 tackles the most Freudian of topics: dreams. Except I’m expanding the topic to include conscious musings in addition to the Dali-esque adventures that come with sleep. Of the former: If I ever win the Powerball, in addition to retiring, Diane and I plan to rent a concert hall and invite our musical favorites to play for us, our family and friends. Of the latter: The other morning I found myself on an uncharted desert isle reminiscent of Gilligan’s.

I don’t remember much, mind you, beyond this: a tiger observed me from the edge of a clearing. And then I awoke… and found my ferocious feline splayed beside me, fast asleep.

Anyway, onward…

  1. Bobby Darin & Petula Clark – “All I Have to Do Is Dream”

2) Dusty Springfield – “Come for a Dream”

3) Paul McCartney – “Country Dreamer”

4) Fleetwood Mac – “Dreams”

5) Sandy Denny – “I’m a Dreamer”

And a few bonuses…

6) Blondie – “Dreaming”

7) The Jam – “Dreams of Children”

8) Tom Petty & the Heartbreakers – “Runnin’ Down a Dream”

9) Neil Young – “Dreamin’ Man”

10) Duffy – “Distant Dreamer”

Today’s Top 5: January 1978 (via Trouser Press)

IMG_0005When January 1978 began, I was 12 and far from a music freak. I owned a few bargain-bin Elvis Presley LPs that collected the King’s movie music along with his Golden Records collection, The Monkees Greatest Hits, a two-LP Donny & Marie collection and the soundtrack to The Spy Who Loved Me, along with a handful of singles by Jan & Dean. The untimely death of the king of rock ’n’ roll, Elvis Presley, in August ’77 kickstarted something, but most of my time was spent on other pursuits – TV, the movies, pro wrestling and comic books, primarily.

America, that winter, was limping along: 1977 ended with unemployment at 7.1 percent and inflation at 6.5 percent. Jimmy Carter was president. The biggest movie of the previous year was Star Wars, and other popular films included Smokey & the Bandit, Close Encounters of the Third Kind, The Goodbye Girl, The Spy Who Loved Me and Saturday Night Fever. The last film, thanks to its Bee Gees-laden soundtrack, pushed the disco craze over the top.

The Bee Gees eventually became one of the main targets of the disco backlash, but at the crack of dawn on January 1st, 1978 – a Sunday – they were ensconced atop the charts with “How Deep Is Your Love.”

“Baby Come Back” by Player would displace it a week later, but no matter – by the start of the next month, they’d be at No. 1 again with “Stayin’ Alive.” Other popular songs that New Year included Linda Ronstadt’s “Blue Bayou,” Dolly Parton’s “Here You Come Again,” Debby Boone’s “You Light Up My Life,” Paul Simon’s “Slip-Sliding Away”…and Shaun Cassidy’s “Hey Deanie.” (The year’s week-by-week charts can be found here.)

IMG_0015Not that you’d know any of that from this issue of Trouser Press. Billed as “America’s Only British Rock Magazine,” it opens with a note from editor-in-chief Ira A. Robbins: “For those of us permanently afflicted with a fascination for the rock ’n’ roll business (as something totally detached from the music), this is an amazingly interesting time to be alive. The first attempts by U.S. companies to import new wave bands are vying with and against home-grown groups trying to win acceptance in their own backyards. The first half of 1978 is the make-or-break time for p*nk rock in America because U.S. companies know their limits when it comes to developing new trends in music: they’ll go as far as it takes to decide how much (or little) money there is to be made, and base their future involvement on the early results.”

IMG_0007There’s also a reader’s poll of the best LPs of all time. Who’s Next tops it, followed by Ziggy Stardust, the White Album, Sgt. Pepper and…The Lamb Lies Down on Broadway by Genesis?! Genesis scores an impressive three additional albums on the list, too, including the Gabriel-less A Trick of the Tail; solo Gabriel scores one, too. I’ve never been much of a Genesis fan, but that seems about right for that time and place. Some punk/new wave make the cut, too, but so does – as evidenced by the Gabriel-era Genesis – a preponderance of progressive rock. ELP’s Brain Salad Surgery rates higher than the Clash’s self-titled debut. (To see the entire list, click on the image.)

Anyway, onward to today’s Top 5: January 1978 (circa Trouser Press).

IMG_00091) Suzi Quatro – “Devil Gate Drive.” My introduction to Suzi Quatro wasn’t that different from most of America: on consecutive Tuesday nights in November 1977, when she guest starred on Happy Days. The Detroit-born rocker found success in England in the early/mid ‘70s, and would score a hit in the U.S. in 1979 with “Stumblin’ In,” but – for a generation of kids – she’ll always be know as Leather Tuscadero, the kid sister of Fonzie’s one-time flame Pinkie.

IMG_00112) The Jam – “In the City.” There’s an excellent article about the Brit band by Robbins. It opens with: “Try calling Paul Weller of the Jam a punk rocker, and find out how icy a cold stare can be.  The intense young man who fulfills the Townshend role in England’s only mod new wave band has very definite ideas about the Jam, and punkdom plays no part therein.”

IMG_00123) Graham Parker & the Rumour – “Stick to Me.” Parker sits for an interview about his third album, Stick to Me. The initial, month-long recordings for the album had to be scrapped due to a serious mishap, as the rocker explains: “We did the whole thing and it sounded absolutely great. When we went to mix it, the power didn’t come out. We went to another studio and they said there’s something wrong with the bottom frequencies, some fault with the studio.” So back into the studio they went, with Nick Lowe as producer, and they banged out the album in about a week.

The interviewer, Jon Young, mentions that he hears Motown influences on the first two albums. Parker agrees, to an extent: “Definitely the power of some of that stuff. I mean, you couldn’t say we sounded like a soul band, but the dynamics of that are something we learned.”

“I think it’s much more valid than Bruce Springsteen,” comments Young.

“I don’t know about that,” responds Parker. “I’m a fan of his. I can’t wait for his new album, whenever he gets it together. He’s done loads of tracks.” (That album-in-the-making, of course, was Darkness on the Edge of Town.)

IMG_00134) David Bowie – “Heroes.” John Walker delves deep into Bowie and Bowie lore in his review of the Heroes album, opening with: “If David Bowie ever conceded that his origins were extraterrestrial, I think the announcement would carry about as much impact as his earlier admission of his own bisexuality. People would ‘ooooh’ and ‘ahhhh’ for a bit, then it would be cool to admit that you were from another planet; finally the Western world would assimilate the outer space culture. Eventually Bloomingdale’s would offer a line of antennae.”

Of the song “Heroes,” he writes that it “could be Dream #1. It too offers no promise of physical permanence – ‘Though nothing will keep us together/we can beat them/for ever and ever’ – but ‘we can be Heroes/just for one day.’ The persistent set of quotation marks surrounding the title indicates some sort of neo-realistic perspective that acknowledges a context greatest that the world of celebrities.”

The review ends with: “I suggest you buy two copies. Listen to one and bury the other in the garden. See what happens.”

IMG_00175) The Clash – “White Riot.” In Brian Hoggs’ “Ramblings” column, he mentions/reviews a Clash concert. “…Joe Strummer had spent most of the day in bed, trying to shake a throat infection. (He’d collapsed twice the night before in Glasgow.) It was a miracle that the show was on; two other places had refused to let the Clash play. But they came; Joe screamed ‘London’s Burning’ and everything else was forgotten. Mick Jones’s guitar work gets better and better, spitting and spilling solos. Paul Simonon’s bass is tight and Nicky Headon is a perfect drummer for the group, forcing and cutting into the rhythm. But your eyes fall back on Strummer. Sometimes he plays guitar, smashing into the sound, sometimes he doesn’t, but leans and screams into the mike. Sometimes he stands just stares and twinkles.”

The piece concludes thusly: “The Clash finished their set with a ‘White Riot’ that had eight times the power of the album and single version put together. It showed how far the group as progressed even with their older material. It also reminded me of when the 45 first came out and how the Clash has possibly become the most vital and exciting British group in years.”