Category Archives: Simon & Garfunkel

Today’s Top 3: Monterey Pop

June 16th, 1967 was a momentous day in the world of rock ’n’ roll: the three-day Monterey International Pop Music Festival kicked off.

Wikipedia provides the specifics for the now-legendary event, so I’ll skip listing each and every act that partook in the weekend. Among them, however, were such stalwarts as Simon & Garfunkel, Big Brother and the Holding Company, the Byrds, Laura Nyro, Jefferson Airplane, Otis Redding, Buffalo Springfield, the Who, Jimi Hendrix, and the Mamas & the Papas.

(I say “stalwarts” but, of course, several of those acts wouldn’t have been described as such at the time. And no act was considered legendary. “Legendary” and “rock ‘n’ roll” weren’t believed to go together.)

In any event, D.A. Pennebacker filmed the festivities for what became the beloved Monterey Pop concert doc. Big Brother’s manager didn’t want the unknown group filmed without getting paid, so ordered the crew to turn off the cameras; Janis Joplin, their lead singer, so wowed the crowd on Saturday afternoon, however, that she and the group were talked into returning the next day and performing for the cameras.

It was also an inexpensive proposition. How much would a similar three-day fest set you back today? According to the Inflation Calculator, the top ticket ($6.50) should now cost $47.63 – but that’s before the Ticketmaster/Live Nation overlords, and unfettered greed, play their part. In reality, it’d likely set you back $150-$200 a night.

All in all, the weekend was – in a word – groovy; and in two words, really groovy. 

So, with that in mind, here’s today’s Top 3: Monterey Pop. As in, highlights from each of the three days…

1) Friday:

Eric Burdon and the Animals – “Paint It Black.” Burdon & Co. cover the Stones.

Simon & Garfunkel – “The Sound of Silence.” Why this stupendous rendition of this timeless song wasn’t included in the movie proper, who knows? (It’s now a bonus on the DVD/blu-ray release.)

2) Saturday:

The Byrds – “He Was a Friend of Mine.” David Crosby’s impromptu rap in this clip supposedly ruffled the feathers of Mssrs. McGuinn and Hillman. And the set was the last time he performed with them…

Laura Nyro – “Wedding Bell Blues/Poverty Train.” The lore surrounding Laura Nyro’s appearance is that she was booed…but it was less being booed and more being ignored for reasons that had little to do with her. No one knew who she was, as was the case for other acts, but she was backed by a band she’d rehearsed with just once – and, as a result, her delicate music became something of a sludge hammer. That said, the bonus clips on the DVD/blu-ray are well worth watching – the camera picked up the magic that the audience missed.

Jefferson Airplane – “Somebody to Love.” The Airplane was flying high this pre-summer’s night thanks to the success of this song, which soared to No. 5 on the charts this weekend.

Otis Redding – “I’ve Been Loving You Too Long.” Another timeless performance.

3) Sunday:

Big Brother and the Holding Company – “Ball & Chain.” Does it get any better than this? The band’s performance is raw and ragged, but backing that voice…as Mama Cass says at the end, “wow.”

Buffalo Springfield – “For What It’s Worth.” David Crosby substituted for an AWOL Neil Young in the Springfield’s set, which didn’t sit well with his fellow Byrds…

The Who – “My Generation.” So the Who and Jimi Hendrix flipped a coin to see who followed who… and the Who lost. The poor Grateful Dead were stuck between them – and made to seem all the more boring my comparison.

Jimi Hendrix – “Hey Joe.” Well…a full performance on YouTube of Hendrix’s infamous “Wild Thing,” which culminated with him lighting his guitar on fire, isn’t to be found. This incendiary rendition of “Hey Joe” is, however.

The Mamas & the Papas – “California Dreamin’.” The Mamas & the Papas following Hendrix, the Dead and the Who just seems…weird in the context of what we now know. But at the time? They were the hippie kings and queens of the Monterey Pop castle to three acts few were aware of.

 

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Today’s Top 5: An Old Grey Cat Retrospective, Part 2

This is my 67th post of 2016. Some missives were good, others not, and most a mix of the two, primarily due – I see now – to my over-reliance on the Top 5 format. In and of itself, that tip of the hat to High Fidelity works well – especially when I’m digging through an old magazine. But week in, week out, it grows tiresome. As a result, in the new year, I plan less Top 5s and more straightforward essays and reviews.

And, yes, I see the irony in saying that within a Top 5.

With that said, onward to today’s Top 5: An Old Grey Cat Retrospective, Part 2. In Part 1, of course, I listed the most popular posts of the year along with a clip from each. Here, I’m sharing – in chronological order – the posts I most enjoyed writing.

1) Today’s Top 5: Classics, Old & New (1/9/16): “Whether they come from the pen of Wallace Stevens or piano of Carole King, or the hills of Appalachia, expressions of the heart, soul and psyche have remained constant through the ages. It’s why music, like all art, doesn’t come with an expiration date. We, as a people, live, long, love, lose and love again, and argue amongst ourselves, forever and ever. Amen.”

2) The “Nous” Church of Birch (2/6/16): “We expect life, when young, to unfold much like school: first grade leads to second leads to third, and on down the line until, one late-spring day, we’re tossing our caps in the air at high-school graduation. But life – for most, at any rate – doesn’t unfurl like the step-by-step directions proffered by Google or Apple maps. Detours and wrong turns are inevitable. We stride forward, stumble, tumble backwards and regroup, and head out yet again.”

3) Bruce Springsteen in Philly, 2/12/16: We Have Met the Future and It Is Us (2/14/16): “The young 30-something who released The River and the young fans who first embraced it would likely laugh at the idea that, 35 years on, they’re still spirits in the night, albeit just for the night.”

4) Today’s Top 10: It Was 30 Years Ago Today… (9/5/16): “Looking back, the ‘80s were somewhat like a snow globe: America was shaken at its start, but everything settled into place by decade’s end. That the era is often derided for its fashion miscues, pop music and political retrenchment is a shame; there was much good to be found.”

5) Bruce Springsteen: A Fleeting Meet-and-Greet (10/1/16): “Life can be challenging. We wake, roll out of bed and, often, dread the day to come – maybe it’s the morning commute or pile of work awaiting us at the office; perhaps a dead-end job for dead-end wages; or, at times, something much, much worse. But the music takes us away from whatever it is, albeit for a few minutes, and helps us muster the strength to soldier on.”

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And two bonuses…

6) Today’s Top 5: The Promise of Tomorrow (circa 1970 & Billboard) (11/26/16): “When we strip the gauzy nostalgia from the reality of any time, we’re left with this: What often made the time wonderful was less day-to-day life and more the promise of what had yet to come. It’s why succeeding generations continue to embrace the music of the ‘60s and ‘70s, I think – despite the tumult of the ‘60s and woes of the ‘70s, the messages that powered much of the music were hopeful. And, by and large, we’re a hopeful lot.”

7) Album(s) of the Year, 2016 (12/4/16): “And so the year comes to a close not with a bang or whimper, but a melody that’s older than my time on Earth: ‘What the World Needs Now Is Love.’”

Today’s Top 5: The Promise of Tomorrow (circa 1970 & Billboard)

Thanksgiving night, after a wonderful get-together with family, Diane and I continued our trek through Good Girls Revolt. One episode centered on New Year’s Eve of 1969: As the ‘60s came to an end, Patti (Genevieve Angelson) and editor Finn (Chris Diamantopoulos) concluded that the decade had been about suppression and repression; the ‘70s, they predicted, would be about expansion. Then, at about 10:50pm, I received a message from iTunes: Rumer’s This Girl’s in Love: A Bacharach and David Songbook was available for download.

It’s a lilting and lush set; the music possesses the grace of Audrey Hepburn, soul of Dusty Springfield and vocal finesse of the 5th Dimension, if that makes sense, and evokes the era in which the songs were born while remaining firmly rooted in the present. While one can imagine Rumer singing, say, “One Less Bell to Answer” on The Tonight Show in 1969, one can also imagine her swaying to the same music on The Tonight Show next month. At its best, music transcends time and space; and this set does just that.

Anyway, the juxtaposition of Good Girls Revolt and This Girl’s in Love (and, perhaps, too much turkey) led me to reflection – and to the realization that Patti and Finn, in their rush to pass judgment on the ’60s, were wrong. The decade was not a time of suppression or repression. To the contrary. It was a time when the collective American mindset pushed past a centuries-old prejudice (race) and began to do the same with another (gender). That’s not to say prejudice was eliminated; far from it. But the majority of folks realized it was wrong.

Consider this clip from Petula, a TV special starring British pop singer Petula Clark that aired on NBC on April 2, 1968:

The moment near the end, when Petula puts her arm on Harry Belafonte’s? Believe it or not, it spurred a controversy. A vice president of Chrysler, which was sponsoring the show, demanded that another take be used due to the “interracial touching.” Petula Clark and her husband, the special’s producer, said no; NBC sided with them; and the special, when it aired, was a hit. But if that touch had occurred a decade earlier? NBC likely would’ve cut the song or, if not, many TV stations, primarily in the South, would’ve refused to air the show.

That said, despite the decade’s advances, life wasn’t great. Two days after that special aired, for example, Martin Luther King Jr. was assassinated; two months later, Robert Kennedy was killed; four months later, the Democratic National Convention in Chicago turned violent; six months later, Richard Nixon was elected president; and, all the while, the Vietnam War raged – more than 16,592 American soldiers died and 87,388 were wounded that year.

When we strip the gauzy nostalgia from the reality of any time, we’re left with this: What often made the time wonderful was less day-to-day life and more the promise of what had yet to come. It’s why succeeding generations continue to embrace the music of the ‘60s and ‘70s, I think – despite the tumult of the ‘60s and woes of the ‘70s, the messages that powered much of the music were hopeful. And, by and large, we’re a hopeful lot.

Which leads to today’s Top 5: The Promise of Tomorrow, circa 1970 and Billboard. These are the year’s top singles…

1) Simon & Garfunkel – “Bridge Over Troubled Water”

2) The Carpenters – “(They Long to Be) Close to You”

3) The Guess Who – “American Woman”

4) B.J. Thomas – “Raindrops Keep Falling on My Head”

5) Edwin Starr – “War”

6) Diana Ross – “Ain’t No Mountain High Enough”

And a few singles that didn’t make the year’s top 100:

7) The 5th Dimension – “One Less Bell to Answer”

8) Elton John – “Your Song”

9) Dusty Springfield – “A Brand New Me”