Category Archives: Rumer

Today’s Top 5: Albums MIA From NPR’s “Made by Women” List

There are far more important concerns than NPR’s 150 Greatest Albums Made by Women list. This, we know. Yet, while breezing through it Monday afternoon, I couldn’t help but to (silently) scream.

First and foremost: Albums from last year are on it. Seriously?! Maybe it’s me, but placing any recently released album on a “best of all time” list is short-sighted; we don’t know whether it will, as most great albums do, grow stronger through the years or fall from favor. The former is (obviously) the case for Joni Mitchell’s Blue (from 1971), the top pick, and Aretha Franklin’s I Never Loved a Man the Way I Love You (from 1967), No. 4 (which really should have been No. 2). They speak universal truths of the human condition that are applicable to every generation and age; i.e., they both reflect and transcend their time.

That’s one reason why my Essentials series has a strict “at least five years old” policy. “Classic” status only kicks in if you continually return to an album – and not just for nostalgia’s sake – time and again through the years.

Another reason for my (silent) scream: The exclusion of many great and influential albums at the expense of…Britney Spears?! The Spice Girls?! Isn’t that a bit like including David Cassidy and the Osmond Brothers on an all-male list? I also have serious doubts about any list that ranks Hole higher than Joan Jett or Chrissie Hynde. They kicked down the door for Courtney Love (and all other women rockers who followed them, for that matter). I agree that the debuts of Tracy Chapman and the Indigo Girls should be included, but 10,000 Maniacs’ In My Tribe and Suzanne Vega’s Solitude Standing set the stage for them. And Vega’s 99.9° deserves mention, too, as does Madonna’s True Blue.

But, of course, that’s part and parcel with these sorts of lists. I’ve never seen one that I agree with – from Rolling Stone‘s to Entertainment Weekly‘s to Mojo‘s. They’re generally the creation of a small band of voters who share the same basic dispositions. I.e., they’re good for starting arguments, little else.

And, with that, here’s today’s Top 5: Albums MIA From NPR’s “Made by Women” List. (Where they fall is anyone’s guess… so I’m placing them in chronological order.) And, yes – I could well have called this Top 5 “My Regulars.” I’ve featured all of them many times.

1) Lone Justice – Lone Justice (1985). Selected song: “Sweet, Sweet Baby (I’m Falling).” I’ve written about this album, and spotlighted this song, many times before, of course, including in my first Essentials entry. It’s a genre-shattering, epoch-changing album that set the stage for the alt.country boom a decade later.

2) 10,000 Maniacs – In My Tribe (1987). Selected song: “Hey Jack Kerouac.” A folk-rock band from upstate New York, the Maniacs were (and remain) a wondrous group of eccentrics with a serious knack for crafting cool and catchy tunes. Who else could have come up with this swinging ode to Jack Kerouac, Allen Ginsberg and the beats? Their success paved the way for other late-‘80s (and beyond) folk-flavored singers and bands, from Tracy Chapman to the Indigo Girls to Innocence Mission.

3) Blake Babies – Sunburn (1990). Selected song: “Sanctify.” You want punk? You want spunk? You want an album that, whether anyone heard it or not, helped kick off the ‘90s wave of women-led rock bands? That could be said to be a true alt.college-rock album? That sounds like it was recorded yesterday? Then pick up this classic from Juliana Hatfield & Co. (And be sure to get Earwig, too). This song brings a “heavy metal rain” upon one’s head…

4) Juliana Hatfield – in exile deo (2004). Selected song: “Tourist.” On her own, Juliana has released a slew of stupendous albums, from Hey Babe (1992) to Pussycat (2017) – but I’m limiting myself to this one (and the Blake Babies) because, well, it’s great – her second to win my esteemed Album of the Year, in fact. Just as a side note: I clearly remember when and where I first heard it – on the day of its release in my Dodge Neon while on my way to pick up my wife.

5) Rumer – Seasons of My Soul (2010). Selected song: “On My Way Home.” I’ve written (too many times) about this album before, most recently in my Essentials series. At once retro and modern, it went platinum twice-over in the U.K. and topped the iTunes charts in the States; and it’s influenced other singers in the U.K. to follow the same stylistic path.

And two (non-chronological) bonuses:

6) Rosanne Cash – Interiors (1990). Selected song: “What We Really Want.” Rosanne Cash shed the country label with this, her seventh album, which owes a heavy debt to Joni Mitchell and the other confessional singer-songwriters of the early ‘70s. It’s stark and powerful, and a glimpse of the internal demons haunting her at the timel.

7) Nanci Griffith – Other Voices, Other Rooms (1993). Selected song: “Speed at the Sound of Loneliness.” In the early 1990s, after a string of successful albums, Nanci celebrated her influences on the sublime Other Voices album; and won the Grammy for Best Contemporary Folk Album as a result.

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The Essentials: Rumer’s Seasons of My Soul

(As noted in my first Essentials entry, this is an occasional series in which I spotlight albums that, in my estimation, everyone should experience at least once.)

Last night, I listened anew to one of my all-time favorite albums – the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band, which was just released with a “3-D mono” mix orchestrated by the son of the late George Martin, Giles Martin. I first heard it in…late 1978, I imagine, though I can’t say for sure, and have returned to it hundreds, if not thousands, of times through the decades.

But is it, as the marketing campaign for this reissue claims, the greatest album of all time? According to numerous critic polls, the answer is yes – but some say no. Pet Sounds has edged it a time or two, I believe, as has – if my memory is correct – the Beatles’ own Revolver. It’s what happens when you solicit opinions from dozens or hundreds of people, as few of us are totally in sync on any matter, let alone music. And, too, there’s this: I honestly don’t know where it falls in the pantheon of my top picks. Aside from the not-so-arduous process I employ for my annual Album of the Year exercise, I’ve never contemplated all that long on where an album (or single, for that matter) falls in the scheme of things. Is it better than What’s Going On? Pet Sounds? Abbey Road? Dusty in Memphis, Late for the Sky or Born to Run? Everybody Knows This Is Nowhere? Bridge Over Troubled Water? Blue? Seasons of My Soul? How can one judge such things?

And even with the jeweled trophies I dole out to the winner and runners-up at my year-end Album of the Year fete, which is now in its 39th year (!), the reality – as I explain in the intro to my running tally – is that the honorees are as much a reflection of my mindset as anything. Which, really, is what makes a great album great: It speaks to and for us in ways that, often, we aren’t aware we want or need.

Such is the case with Seasons of My Soul, the 2010 debut album from British singer-songwriter and pop chanteuse Rumer, which would easily rank among my Top 10 Albums of All Time – if I had such a list, that is. It’s my most played album of the past seven years, easy; and likely one of my most played albums, ever. As I wrote in my first blog post (which first appeared on the Hatboro-Horsham Patch in February 2012), it’s “an atmospheric song cycle that’s teeming with soulful, knowing lyrics and melodies that wrap themselves around the heart, to say nothing of Rumer’s emotive, pitch-perfect vocals. It echoes the classic pop of Burt Bacharach and the Carpenters, yet moves past those inspirations by tackling themes not always associated with pop music. ‘On My Way Home,’ for example, is about the grieving process, and several other songs echo loss of one sort or another. ‘Come to Me High,’ on the other hand, is a lush, romantic ode, as is ‘Slow.’ The intoxicating ‘Take Me As I Am’ is about pushing people away when you need them the most. Add in … ‘Aretha’ and such songs as ‘Thankful’ and ‘Blackbird’ and, to my mind, the album is a must for everyone’s collection.”

Here she is in 2011 performing “On My Way Home” in Philadelphia:

I’ve written about the album here, as well, and elsewhere on this blog. To my ears, it’s a timeless song cycle that captures the nuances of life and love in a way that’s both personal and universal. It’s my definition of “essential,” in other words.

Here’s a YouTube playlist I created of the album as nature intended, aka in the order of the original British release. It features several of the original videos plus official and unofficial uploads of individual tracks:

The songs:

  1. Am I Forgiven?
  2. Come to Me High
  3. Slow
  4. Take Me As I Am
  5. Aretha
  6. Saving Grace
  7. Thankful
  8. Healer
  9. Blackbird
  10. On My Way Home
  11. Goodbye Girl

(Warner Bros. saw fit to re-arrange the order of the tracks for its download-only version when they released it in the U.S. in 2012. The songs remain brilliant, of course, but the album’s ebb-and-flow is dammed, at times.)

Today’s Top 5: Love, Peace & More

Some days, it seems, the highway of life crawls to a stop due to an ill-placed on- and off-ramp, a la the stretch of Pennsylvania turnpike between the suburban-Philadelphia enclaves of Willow Grove and Fort Washington. For those unfamiliar with that portion of the toll road, the powers-that-be installed an EasyPass-only exit-entrance about halfway between the two stops, which are only four or five miles apart, years ago. The idea, I imagine, was to reduce congestion. The result for those who get on at or before Willow Grove, however, has been quite the opposite thanks to two or three streams of cars now merging into traffic within a few miles.

In fact, that short stretch of highway usually takes half my commute. On a good day, I travel two or three miles in 20 minutes, and then the next 15 (or so) more miles in about the same amount of time. But that madness is routine madness, the kind of thing I and every other commuter has come to expect and begrudgingly accept.

But the madness that happened outside of Manchester Arena on Monday night is of another, horrific dimension. Ariana Grande’s fanbase is, I imagine, mostly teens and preteens; and I’d wager that, for many, the show was their first concert. The lights dimmed, the band kicked in and then Ariana appeared to applause, screams and shouts, and for the next hour and half (give or take) she commanded and directed the hearts and souls of everyone in attendance. I can say that without knowing much about her or her music, actually; anyone who’s been to more than a few shows knows the basic outline. And by night’s end, the 20,000+ fans were undoubtedly happy, content and ecstatic – stoned, in a sense, though not from drugs or drink but the experience.

A fan is a fan is a fan.

The idea that such a venue was a target for attack? It scorches the soul.

While driving home tonight, I listened to the CBS Evening News; KYW-1060AM, Philly’s all-news station, simulcasts it. What struck me was the night’s final report, about the response in Manchester, how everyone of every faith and color came together. The story spotlighted a Pakistani-Muslim cabbie who ferried 20+ young concert-goers wherever they wanted/needed to go at no charge. His own daughter had thought of attending the show, he said, but decided against it due to its proximity to school exams. That response, the outpouring of love and affection, is why those who hate will never win. 

With all of that in mind, here’s today’s Top 5: Love, Peace & More. (One note: I’d hoped to start with the obvious, the Beatles’ “All You Need Is Love,” but it’s not on YouTube.)

1) Bobby Darin – “Simple Song of Freedom”

2) Rumer – “What the World Needs Now Is Love”

3) Lady Lamb the Beekeeper – “All I Really Want to Do”

4) Paul Weller – “Going Places”

5) Sandy Denny – “Full Moon”

And two bonuses…

6) Nanci Griffith – “From a Distance”

7) 10,000 Maniacs – “Peace Train”