Category Archives: Paul Weller

Today’s Top 5: YouTube Clips, Vol. 55

As I said over the weekend, there is so much good new music in the world that it can be hard to keep up – especially since finding said sounds means channeling one’s inner- Jim Rockford. Even so-called “good” radio stations (more on that in the coming weeks) do a lousy job of spotlighting new discoveries – unless it’s the latest generic alterna-rock band, that is.

To that end, here’s a collection of YouTube clips that shouldn’t be missed…

1) The Staves – “Blues Run the Game.” So the Staves played a forest the other day…

2) First Aid Kit – “Fireworks.” And FAK premiered a new song just in time for July 4th.

3) Courtney Marie Andrews – “Sea Town.” CMA, meanwhile, shared this clip that was filmed near the Boot & Saddle in South Philly last month. While I was searching for a parking spot before that show, I drove past her shooting this. I should’ve honked!

4) Natalie Duncan – “Get Right.” Here’s a relatively new song from one of my favorite voices of the past decade…

5) Karrie – “Performers.” And, finally, here’s a stunning track from Karrie that she didn’t include on her wonderful 2016 album Perpetual Motion. (More from Ms. O’Sullivan this weekend.)

And three bonuses…

6) Erin O’Dowd – “Jump the Gun Song.” Another of my favorite new voices.

7) Diane Birch – “Nothing Compares 2 U” & “When Doves Cry.” Here’s the Church of Birch pastor’s lovely tribute to Prince (from a February show in Berlin):

8) Paul Weller – “Soundtrack of My Life.” The Modfather reflects on songs that shaped his life in this NME video. Why do I feel old looking at him?

Today’s Top 5: New Music, Vol. XX

It’s a question I’ve asked before, though in a different context: If the George Santayana axiom that those who cannot remember the past are condemned to repeat it is true, and I believe it is, what do we make of people who couldn’t care less about said past?

In every facet of life, history holds lessons that can be applied to today and tomorrow. Faces, places and specific circumstances change, but human actions and behaviors generally remain on the same rinse-repeat cycle until we, as a people, realize that the past is not and need not be prologue. (Or something like that.) It’s how history is made.

That said, I’d add a second sentence to the axiom: Those who fail to recognize the present are sure to repeat it, too. And the sad reality of today is that much good music gets lost because of the sprawling maze that’s become the “music industry.” What reigns supreme at the top of the charts is never the be- and end-all of the current scene, of course, but many folks – both young and older, though mostly the older – seem to assume that’s the case. And while much of that chart-topping music is good – there’s so much more that deserves to be heard.

So after a weekend spent looking back, I thought it might be best to spend some time surveying the present. Which leads to today’s top 5: New Music, Vol. XX.

1) Beau + Luci – “Deeper Well.” According to their website bio, these two sisters – who describe themselves as “flower children with rock-and-roll souls” – hail from the swamplands of Southern Georgia. Here, they cover the classic song “Deeper Well,” which was originally written and recorded by folk-country singer David Olney in 1989 before being slightly retooled by Emmylou Harris and Daniel Lanois for Emmylou’s classic Wrecking Ball album.

And here they are, again, performing their own “Like a Drum.”

2) House and Land – “The Day Is Past and Gone.” Another duo act. According to their label’s bio, Sally Anne Morgan and Sarah Louise met when Sarah opened for the Appalachian old-time band the Black Twig Pickers, for whom Sally plays fiddle. This song is intense:

3) Joan Shelley – “Where I’ll Find You.” The Louisville-based singer-songwriter released her fourth album, an eponymous set produced by Wilco’s Jeff Tweedy, to wondrous reviews last month. Here she is singing one of its tracks on Later…with Jools Holland.

4) The DuPont Brothers – “Attention Spans.” I discovered this duo, siblings from Vermont, the old-fashioned way when they opened for Garland Jeffreys at the World Cafe Live earlier this month. They stunned me with their songs, harmonies and guitar licks.

5) Stevie Parker – “Without You.” The Bristol-based, Adele-influenced singer has a voice…and enough heartbreak to fill an album’s worth of songs. She’s good.

And one bonus…

Paul Weller – “Woo Sé Mama.” Granted, Weller is far from a new act. But A Kind of Revolution, which kicks off with this catchy number, is a new album from him.

Today’s Top 5: Love, Peace & More

Some days, it seems, the highway of life crawls to a stop due to an ill-placed on- and off-ramp, a la the stretch of Pennsylvania turnpike between the suburban-Philadelphia enclaves of Willow Grove and Fort Washington. For those unfamiliar with that portion of the toll road, the powers-that-be installed an EasyPass-only exit-entrance about halfway between the two stops, which are only four or five miles apart, years ago. The idea, I imagine, was to reduce congestion. The result for those who get on at or before Willow Grove, however, has been quite the opposite thanks to two or three streams of cars now merging into traffic within a few miles.

In fact, that short stretch of highway usually takes half my commute. On a good day, I travel two or three miles in 20 minutes, and then the next 15 (or so) more miles in about the same amount of time. But that madness is routine madness, the kind of thing I and every other commuter has come to expect and begrudgingly accept.

But the madness that happened outside of Manchester Arena on Monday night is of another, horrific dimension. Ariana Grande’s fanbase is, I imagine, mostly teens and preteens; and I’d wager that, for many, the show was their first concert. The lights dimmed, the band kicked in and then Ariana appeared to applause, screams and shouts, and for the next hour and half (give or take) she commanded and directed the hearts and souls of everyone in attendance. I can say that without knowing much about her or her music, actually; anyone who’s been to more than a few shows knows the basic outline. And by night’s end, the 20,000+ fans were undoubtedly happy, content and ecstatic – stoned, in a sense, though not from drugs or drink but the experience.

A fan is a fan is a fan.

The idea that such a venue was a target for attack? It scorches the soul.

While driving home tonight, I listened to the CBS Evening News; KYW-1060AM, Philly’s all-news station, simulcasts it. What struck me was the night’s final report, about the response in Manchester, how everyone of every faith and color came together. The story spotlighted a Pakistani-Muslim cabbie who ferried 20+ young concert-goers wherever they wanted/needed to go at no charge. His own daughter had thought of attending the show, he said, but decided against it due to its proximity to school exams. That response, the outpouring of love and affection, is why those who hate will never win. 

With all of that in mind, here’s today’s Top 5: Love, Peace & More. (One note: I’d hoped to start with the obvious, the Beatles’ “All You Need Is Love,” but it’s not on YouTube.)

1) Bobby Darin – “Simple Song of Freedom”

2) Rumer – “What the World Needs Now Is Love”

3) Lady Lamb the Beekeeper – “All I Really Want to Do”

4) Paul Weller – “Going Places”

5) Sandy Denny – “Full Moon”

And two bonuses…

6) Nanci Griffith – “From a Distance”

7) 10,000 Maniacs – “Peace Train”