Category Archives: Paul McCartney

Today’s Top 5: January 11, 1974

Last night, Diane and I became so engrossed in Room 222 that we lost track of time – and of Orphan Black (one of our favorite shows), which airs at 10pm. I only realized our oversight just before turning in for the night, when I checked Facebook and found Cosima peering through my iPhone screen as if to say, “where the hell are you?” Really, Cosima, you couldn’t have popped up at, say, 9:30pm?! 

it’s not really her fault, of course, nor the algorithm that drives Facebook’s newsfeed. I blame Pete, Liz, Alice and Mr. Kaufman.

The half-hour comedy-drama about the goings on at an L.A. high school originally aired on ABC from September 17th, 1969, to January 11th, 1974. If not for some unexpected Emmy nominations and wins, it likely wouldn’t have lasted that long – it wasn’t a ratings winner. Part of its failure to catch on, I think, is that although ostensibly aimed at kids, it’s actually about the aforementioned adults – history teacher Pete Dixon (Lloyd Haynes), guidance counselor Liz McIntyre (Denise Nicholas), student teacher-English teacher Alice Johnson (Karen Valentine) and principal Seymour Kaufman (Michael Constantine). One or two (or more) of them, though usually Pete, step in to help a kid solve a problem.

And, too, it was a topical show with a capital T, so I’m sure some viewers – kids and adults alike – turned the channel just because of that. Among the problems tackled: pollution, racism, sexism, homophobia, poverty, guns in school, and teen pregnancy. An underlying theme also runs through every episode: respect. To lean on a cliche, it preached that one can disagree without being disagreeable, a lesson that’s (sadly) still applicable today. The result is far more earnest and wry than laugh-out-loud funny, though chuckles are to be had – especially when Alice is involved.

Anyway, I picked up the DVD sets for seasons 1 and 2 years ago only to learn that Shout TV (apparently) has no intention of releasing the final three seasons. As I’ve written before, it’s a show that takes me back – and it does the same for Diane. So when I discovered last week – quite by accident – that it airs every weekday from 9am to 11am on the Aspire cable channel, I did what any self-respecting fan would do: I scheduled all airings to be DVRed. And last night, with some 15 episodes from seasons 4 and 5 on hand, we binged.

Which leads to today’s Top 5: January 11th, 1974, the date of Room 222’s final episode. The songs are drawn from the charts that end on the 12th over at Weekly Top 40.

The 11th was a Friday, I should mention, and all was not great in the land. Here’s the day’s headline from the Chicago Tribune:

Also: unemployment rose to 5.2 percent this month; and the wage-killer known as inflation was 9.4 percent. Super Bowl VIII would be played in two days in Houston, where the Miami Dolphins decimated the Minnesota Vikings 24-7.

Yeah, yeah, yeah: Enough of the intro.

1) Steve Miller – “The Joker.” The No. 2 song in the land, this week, is this staple of today’s classic rock.

2) Jim Croce – “Time in a Bottle.” This song from the South Philly-born singer-songwriter, who died at age 30 in a plane crash on September 20, 1973, dropped from the top spot to No. 2.

3) Al Wilson – “Show and Tell.” Rising to No. 3 (from No. 5) is this smooth soul classic, which would hit No. 1 the following week.

4) Brownsville Station – “Smokin’ in the Boys Room.” The Ann Arbor, Mich., rock band scored a multi-platinum hit with this single, which hit No. 4 this week.

5) Gladys Knight and the Pips – “I’ve Got to Use My Imagination.” Gladys & Co. clock in at No. 5 with this killer track, which was written by Gerry Goffin and Barry Goldberg.

And a few bonuses:

6) Stevie Wonder – “Living for the City.” The instant classic, from Stevie’s Innervisions album, hits its chart peak this week – No. 8.

7) Paul McCartney & Wings – “Helen Wheels.” Another instant-classic, written forMcCartney’s Land Rover, also reaches its chart peak – No. 10.

8) Charlie Rich – “The Most Beautiful Girl in the World.” And, finally, falling to No. 12 (from No. 4) is  this country-flavored hit, which enjoyed a two-week run at No. 1 in December 1973. It’s one of a few songs that I know primarily for its appearance on one of the compilation albums routinely hawked on TV in the mid- and late-1970s.

Paul McCartney – Flowers in the Dirt Deluxe Edition

If this morning was all Beatles, this afternoon has been all latter-day Paul McCartney by way of his mammoth Flowers in the Dirt deluxe re-issue.

The set features the original album; a second disc of 10 demos recorded with Elvis Costello; a third disc of 9 of the same demo songs recorded with the nascent Flowers in the Dirt band and produced by Elvis; a fourth disc of b-sides and remixes; and a DVD of videos and behind-the-scenes stuff. (Click on the picture to the left for a rundown of everything included.) The numbered deluxe edition (mine is 4714) also comes with high-res (24/96) downloads and three additional downloads of “cassette demos” with Elvis that could (and probably should) have been placed on the second disc.

It’s a lot to digest, obviously. The original album is now remastered; and, as I listened to it in full for the first time in ages (decades?), I have to say that it has more than held its own. It’s a near tour de force. Buttressed by four songs that were written with Elvis Costello (“My Brave Face,” “You Want Her Too,” “Don’t Be Careless Love” and “That Day Is Done”), the collection stands with the best of his solo/Wings work. “This One” and “We Got Married,” which features a guitar solo by David Gilmour, are both sublime; and “Figure of Eight” has a nice vibe.

I say “near tour de force” because there are a few songs that would’ve worked better as b-sides, such as “How Many People” and “Motor of Love” – and several of the b-sides included on disc four would’ve made the album even better if they’d been included.

One day I may A-B it against the original release to judge the difference in sound quality, but by the time I find the original disc – which is in a box somewhere – others will have beaten me to that punch. For now, though, I can safely say that it sounds great.

Both sets of demos are interesting. The first (disc 2) are just McCartney and Elvis; the performances, all recorded in September and October 1987, are basic sketches (guitar/piano, vocals). The songs are fully formed, just not fleshed out – and it’s quite a joy to hear them. The next batch (disc 3), recorded the following February, are fleshed out thanks to the presence of Hamish Stuart on guitar and Chris Whitten on drums; they’re a blueprint for an alternate Flowers in Dirt. One gets the sense, in listening to them, that they’re less demos and more a road not taken, in other words. The performances are all phenomenal.

The b-sides and remixes are as b-sides and remixes go: some (“Back on My Feet,” “Flying to My Home” and “The First Stone”) would’ve made Flowers in the Dirt a killer set. The others are non-essential, though the Bob Clearmountain mix of “Figure of Eight” is solid. But how many remixed versions of “Ou Est Le Soleil?” does one need to hear? The three bonus songs (“I Don’t Want to Confess,” “Shallow Grave” and “Mistress and Maid”) are well worth the download; as with the original demos on disc 2, they’re just McCartney and Elvis.

I haven’t watched the DVD yet – hey, it’s only 3:30pm as I write! – but even without seeing any of it, I can say that the deluxe set is well worth it for any avid fan.

Today’s Top 5: Rock & Roll Never Forgets

Since the news broke last night of his death, there have likely been a million blog posts written about Chuck Berry. Here’s one more:

The above single, which I purchased as a young teen during the late 1970s, was my first Chuck Berry purchase. A few years later, like many other music fans, I picked up The Great Twenty-Eight, a double-LP set that collected his classic songs. The last Chuck Berry purchase was likely in 1987, when I picked up the soundtrack to the Hail! Hail! Rock ’n’ Roll film, which spotlighted two all-star concerts celebrating his 60th birthday. In between, and before and since, I’ve enjoyed his music in its original form as well as via covers and borrowed (aka stolen) tunes –

Like every other fan of rock music, in other words.

To describe his importance to the genre is just about impossible. However, he was not – as too many of the obits I’ve seen are headlined, the “father of rock ’n’ roll.” That’s a simplistic, and just plain wrong, summary of rock history. His first single, “Maybellene,” was released in 1955, a year after Elvis Presley’s seminal “That’s Alright, Mama” – and, as Elvis told Jet magazine in 1957, “rock ‘n’ roll was here a long time before I came along.” (This Wikipedia entry does a solid job of showing just how long.) That said, he was instrumental to its success – as its first poet laureate and guitar great. As the Rock & Roll Hall of Fame puts it in their bio of him, “If Elvis Presley cracked open the door for rock & roll, Chuck Berry kicked it wide open—and did his signature duck walk over it for good measure.”

Here he is with, perhaps, his most famous pick-up band: Bruce Springsteen and the E Street Band at the Rock & Roll Hall of Fame Concert in 1996.

And here he is on The Mike Douglas Show in 1972. Following the interview, he performs with John Lennon, who was co-hosting the weekday talk show’s that week.

Here’s Chuck with Keith Richards and an all-star band (via the 1987 Hail! Hail! Rock ’n’ Roll movie):

And now, for today’s top 5, Rock ‘n’ Roll Never Forgets:

1) Bob Seger – “Carol” (1971).

2) Emmylou Harris & the Hot Band – “C’est La Vie,” 1977.

3) George Thorogood & the Delaware Destroyers – “No Particular Place to Go,” 1979.

4) Paul McCartney – “Brown Eyed Handsome Man.” From Later With Jools Holland in 1999 (with his Run Devil Run band, including Dave Gilmour and Deep Purple drummer Ian Paice).

5) Bruce Springsteen & the E Street Band – “You Can Never Tell” (2013).

And, finally, one of the greatest non-Chuck Berry songs to both channel him and explain his influence (“all of Chuck’s children are out there playing his licks”):

Bob Seger – “Rock ‘n’ Roll Never Forgets”