Category Archives: Mazzy Star

Today’s Top 5: Mixdisc 2010

I currently have not one, not two, but eight external hard drives on my desk, a network drive plugged into our router, plus my rarely used HP desktop. Most contain the result of the Great Undertaking of 2007, when I invested in a then-pricey external HD and began ripping our CDs. It was a six month-long endeavor born from frustration: We owned thousands upon thousands of discs, but had run out of space for them in our over-stuffed apartment. Stacks of jewel boxes took up residence here, there and everywhere.

After those six months, I bought a second external HD, copied everything over, and then plugged it into Diane’s computer. Presto, we had matching libraries – and more room in the apartment, as I boxed up the CDs. Whatever we wanted to listen to was, quite literally, a mouse click away, and because our library was so expansive…well, it was a bit like our own private Spotify or Apple Music. Then, in theory, if either of us bought an album, be it physical or digital, we’d copy it to the other’s drive.

But theories don’t always play out in real life the way they do on paper. Over time, our libraries took on slightly different hues. Sometimes Diane would procure a disc or download and not tell me. And vice versa. But, regardless, I routinely backed up my library. At one point, before I switched from the HP to a MacBook, I had two external desktop HDs plugged in at all times, and a third that I employed as a backup for the first two. Whenever I ripped a CD to the internal HD, I then copied it over to the externals. And, every month or so, I’d plug in the third external and do it again.

It’s just the way it was.

There’s more on those HDs, of course. One holds most of my high-res music. A few include now-ancient Super 8 home movies that I had digitalized, plus various versions of my own Long Medley – all those home movies edited into one long film and accented by a letter-perfect soundtrack. There’s also photos, photos, and more photos; my digital art, which wasn’t much in the way of art (as the example to the left demonstrates), that I played around with for more than a decade, and short animations that never came out as envisioned; the last iteration of the original Old Grey Cat website; umpteen versions of an unfinished novel; Word documents galore, including old TV GUIDE essays; and old mix-CD covers, such as the one below (and this one for a Juliana collection).

I may be wrong, but I believe it’s the last mix I made, as a Christmas gift (along with, I believe, a bottle of wine) for my brother and his wife in 2010. The cover art was an original, but something that I didn’t take much time with. I created it in an hour, rendered it, and was done.

Which leads to today’s Top 5: Mixdisc 2010…as in, songs from that very mix.

1) Tift Merritt – “Mixtape.” What better song to start a mix than this, a song about mixtapes? (And, too, it was from my Album of the Year for 2010.)

2) Mazzy Star – “Fade Into You.” If you listened to that Tift song, you’ll hear her mention Mazzy Star in the lyrics. So what better song to bat second?

3) Diane Birch – “Heavy Cross.” Yeah, I just featured this song in my Diane Birch roundup; and have featured it a few times before that, too. Back in 2010, however, it was relatively new – and totally unavailable anywhere but on YouTube. (That’s still true.) My sister-in-law liked Diane Birch, so it seemed a good idea to include it. (I used one of those crappy ad-heavy sites to strip away the video and save the audio as an MP3.) Also, on a more practical note, after the languid “Fade Into You,” the tempo needed a jolt, and “Heavy Cross” is like a double espresso…

4) Natalie Merchant – “maggie and milly and molly and mae.” Another hypnotic song, this time from one of my 2010 Album of the Year runners-up.

5) Rachel and Kurt (aka Lea Michele and Chris Colfer) – “Happy Days Are Here Again/Get Happy.” Yeah, yeah, not everyone liked Glee. But I did, and always enjoyed the episodes that showcased Lea Michele, as her voice was (and is) magical. (I still wish they’d spun off Rachel into her own series. But c’est la vie.) It’s also a performance that, divorced from the TV, stands on its own. (And, yes, I’m aware it’s a knockoff of the Barbra Streisand-Judy Garland rendition. I still love it.)

And a few bonuses…

6) Kim Wilde – “Kids in America.” A classic new-wave entry from the dawn of MTV. Who doesn’t love this tune?

7) The Jam – “Stoned out of My Mind.” Paul Weller & Co. tackle the classic Chi-Lites tune. And it’s absolutely fantastic – one of my favorite Jam tunes, actually.

10) The Lemonheads – “It’s About Time.” Jumping down a few tracks to No. 10 brings us to this, my favorite song from the Lemonheads.

11) Juliana Hatfield – “It’s Only Rock and Roll.” This was a free download from the Daytrotter site back in 2009. It’s an absolutely brilliant, stripped-down rendition (and is a perfect followup to Evan Dando & Co.’s “It’s About Time” due to Juliana’s guest vocal on that tune).

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Hope Sandoval & the Warm Inventions

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Last night, with some time to kill prior to Crazy Ex-Girlfriend, I found myself surfing the algorithmic waves of YouTube thanks to a hankering to hear Best Coast’s title song to their 2015 album California Nights. I’d never heard of the band until reading a review of the album in, I think, Mojo; and I was instantly smitten with that trippy song’s thick and hazy tones, which creep in like a dense fog at dusk. I ordered the CD the same day and, a few days later, featured it in this post – while mentioning its similarities to Opal and Mazzy Star.

And after listening to it yet again last night, I found myself diving head-first into Opal’s sonic undertow. Their 1987 Happy Nightmare, Baby album, as I’ve said before, is a true lost treasure. For those unaware of them, the band had its roots in L.A.’s Paisley Underground scene, and – if they’d stuck together – could’ve carved out a Sonic Youth-like career. But, while on tour promoting that LP (their one and only), lead singer Kendra Smith quit the band and, after releasing a few albums over the next few years, disappeared into the woods of Northern California, never to be heard from again. A true shame, as she was a talented artist and that version of the band was intense.

Dave Roback, Opal’s remaining musical architect, recruited Hope Sandoval to step into the void in order to finish the tour. They were already friends, having worked together on never-released recordings for Hope’s folk duo, Going Home. (In the clip above, that’s her to the right of Roback in the studio intro.) Here’s a full set of that version of Opal in 1988 Italy –

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I’m sure it was difficult to sub for Smith on such short notice, but Hope pulled it off – and then some; and, as the decade faded into the next, the group morphed into Mazzy Star. While they maintained the same languid shoe-gazing psychedelia, Hope’s vocals are far more dreamy, ethereal and inviting than Smith’s. And, too, the dark-hued dissonance was imbued with splashes of color. (Or something like that.)

Here’s “Halah,” from the 1990 Mazzy Star debut, She Hangs Brightly.

Three years later, they released the So Tonight That I Might See CD, home to a classic song that (almost) everyone of a certain vintage will remember: “Fade Into You.”

There’s far more to the story, of course; and the Wikipedia entry does a thorough job in explaining it. For the purposes of this post, though, while jumping from one video to another to another last night – such as this one, “Flowers in December,” from a 1994 appearance at Neil Young’s annual Bridge School benefit concert –

– I discovered that, last year, Hope collaborated with Massive Attack (for the second time) on the song “The Spoils.”

She also released the album Until the Hunter with her own group, the Warm Inventions – which will likely be most of what I listen to for the next few weeks. Now that I’ve listened to it not once, but twice, I can say: It follows the Opal/Mazzy Star blueprint; and is, in a word, amazing. Here are two songs from it: