Category Archives: Greta Isaac

Album(s) of the Year, 2015

staves_ifIwas

What a long, strange year it’s been – a wealth of music released and unheard by me, primarily due to the greying demographic I find myself in and the continued cloistering of my catholic tastes. Variety is the spice of life, it’s said, and I enjoy a wide range of styles and genres – everything from adult contemporary, pop, rock, R&B and soul to Americana, old-school country, folk and jazz. Yet, I find myself feasting less often on a sonic stew sautéed by up-and-coming chefs and, instead, savoring the sounds of the tried-and-true, with the chief stewards including such stalwarts as (small surprise) Paul McCartney, Linda Ronstadt and Neil Young.

That’s what I told myself going into this annual exercise, at any rate, but the results – as you’ll soon read – tell a slightly different story.

The British singer-songwriter Rumer, for instance, is still relatively new, given that her debut album, the classic Seasons of My Soul, dates to 2010. Theoretically, Into Colour, her third long-player, could be among this year’s picks, given that it was released in the U.S. in February. It’s not, though, because it was initially released in the U.K. in October 2014, made my Top 5 for that year, and I don’t go for double-dipping. She also put out – on her own label – the odds-and-sods B Sides & Rarities collection in late 2014, which was given wider release (and received many nice reviews) this year. It, too, is worth tracking down – as is my first Honorable Mention “album” of the year, her (very) recent Love Is the Answer.

IMG_0072“Album” is in quotes because Love Is the Answer is an extended play that features the Todd Rundgren/Utopia title tune and re-recordings of three songs that didn’t make the B Sides set due to (I believe) licensing issues – the Hall & Oates classic “I Can’t Go for That (No Can Do),” which she first sang with Hall on Live from Daryl’s House; Carole King’s “Being at War With Each Other,” which she first covered with the Brit R&B singer Lemar at a BBC Radio 2 event in 2011; and a silky-smooth spin of William DeVaughan’s “Be Thankful for What You Got,” which she also sang with Daryl Hall on his TV show.

My second Honorable Mention is another E.P. – Greta Isaac’s Oh Babe. My only criticism: its brevity. I reviewed it (and her 2014 E.P., Down by the Water) earlier this year, so won’t repeat myself other than to say: They’re magical songs that resonate long after the final note fades to silence.

liannelahavasI discovered my No. 5 album during one of our regular B&N jaunts. While sitting in the cafe flipping through a Mojo or Uncut magazine, and sipping a vente white chocolate mocha with an extra shot of espresso and a dash of raspberry (a delicious confection, I hasten to add), an uptempo melody whirled and swirled around us like an age-old friend, yet it was one I’d never before heard. Diane liked the music, too, and before you know it I was headed to the music department to learn who, exactly, was singing. Lianne La Havas, an up-and-coming Brit jazz-R&B singer, was her name.

Blood, the album in question, is an intoxicating ride of melodies that move and groove like the soul classics of yesteryear, with Prince and Janet Jackson influences, too – most notably on “What You Don’t Do.”

rickielee_desireMy pick for No. 4: Rickie Lee Jones’ The Other Side of Desire. As I wrote in my Nothing to Do But Today: Top 5 post in July, the album “possesses a vibe that radiates instant familiarity.” Part of that, I’m sure, is due to me being a longtime fan of the hipster songstress, but I’d like to think the larger reason is because of the music itself. “Feet on the Ground,” which I highlighted then, remains one favorite (and my overall favorite track from the set). “Jimmy Choos” is another –

– and “Christmas in New Orleans” yet another. Here’s a stripped-down version of it:

neil_monsantoMy pick for No. 3: The Monsanto Years by Neil Young & Promise of the Real. Oh, I can hear the groans from some folks, most of whom either haven’t heard it or, if they have, didn’t actually listen to it. (That’s a distinction not everyone will get, I’m sure.) It’s an anti-GMO, anti-corporate, anti-greed broadside with much heart and (black) humor strewn throughout – which explains why the songs resonated with audiences when he played them live with Promise of the Real over the summer. They possess a glorious Ragged Glory vibe, with thick chords, even thicker rhythms, and melodies that linger long after the morning fog has burned off. “Big Box,” which conjures “Crime in the City” and “Ordinary People,” is one highlight; and the opening “A New Day for Love” is another.

Melody Gardot’s Currency of ManIMG_4459, my No. 2 for the year, is a riveting, R&B-infused collection of songs, possessing fat chords, sinewy melodies and incisive lyrics that delve deep into the state of the world. Homelessness and racism are among the themes  – as are matters of the psyche and soul. In concert, as is often the case, the music took off into a deeper dimension, but the recorded effort is just plain great. “Bad News,” as I wrote here, sounds like an out-take from Peggy Lee’s Black Coffee. Above all, though, there’s that voice…

…and “Preacherman,” the lead single, is a haunting, powerful and propulsive ode.

In fact, in almost any other year, that likely would’ve been my No. 1 (and, for a time, it was). This year, however, the honor goes to… (drumroll, please!)… If I Was by the Staves, three sisters (Emily, Jessica and Camilla Staveley-Taylor) from England whose harmony-rich folk-rock songs echo those of Crosby, Stills & Nash. In my initial take on the Greta Isaac E.P.s, I opined that when she and her sisters blend their voices together it’s akin to listening in on heaven. The same is true here. Whether one is singing alone, their voices are joining together or their vocals are swooping in and out like doves from above, it’s a sonic marvel.

The martial drums in “Make It Holy,” for instance, are a perfect touch, as is the addition of Justin Vernon’s voice to the mix. (Vernon, who’s the force behind Bon Iver, produced the album.)

As is common when creating my year-end lists, I listen to all the contenders, some of which have been collecting digital dust for months. I didn’t have to with this, which was released in March, simply because I’ve never stopped playing it for too long. (About the only time I did: in the initial weeks after the Currency of Man‘s release.) Many nights, after climbing into my car for my commute home from work, I plug my Pono Player into the aux jack, select If I Was and crank it up. (Listening to it loud is a requirement.) That it’s grown stronger with repeated listens speaks volumes.

One song that strikes me is “Sadness Don’t Own Me.”

Another: “Let Me Down.”

And another:

And that’s that.

Advertisements

Greta Isaac: Down by the Water & Oh Babe

IMG_5099She has the voice of an angel. That was my first reaction after listening to Down by the Water, the first of two Greta Isaac EPs that arrived in my mailbox on Thursday. As I mentioned in a past post, I discovered her while researching retro acts from Wales; and, as I wrote then, while her music isn’t retro, per se, it is timeless. The four folk-flavored songs are plaintive and powerful, stark, deep and beautiful. And after listening to the second EP, Oh Babe, well, what can I say that won’t sound like I’m repeating myself? That she sounds like she stepped out of the mist of time, fully formed?

In reality, she hails from a music-minded family in Cowbridge, Wales; her mother is Caryl Parry Jones, a well-known Welsh singer-composer, and her father is Myfyr Isaac, a professional musician and sound engineer. It’s no surprise, in other words, that she began writing her own songs after teaching herself to play guitar at age 15 – it’s in her DNA. This WalesOnline profile is very informative, as is this interview with Terry Wogan of BBC Radio 2:

Not only does she sing “Oh, Babe” on it, but she and her sisters deliver a knockout performance of the Little Mix song “Black Magic.” (When they blend their voices together, it’s akin to listening in on heaven; similar, in that respect, to the Staves.)

And here she is, a few weeks back, singing the Cyndi Lauper classic “True Colours” –

Back to the EPs: Down by the Water, the first, dates from late 2014; Oh Babe was released earlier this year. Autographed CDs of both can be had here: http://gretaisaac.bigcartel.com/products. I highly recommend them.

IMG_5098

Today’s Top 5: New Artists, Old Songs

I’m always stoked to discover a new musical artist – and such was the case last week, while researching the Top 5: Wales list. The plan, born after a recent listen to Duffy’s Rockferry album, was simple: spotlight retro acts. Once I added the School and Yearning, however, I narrowed in on Wales, as all three hail from there. And then I came across Greta Isaac. She doesn’t mine a retro style, per se, but a timeless sound.

She looks to be – what? All of 20? And yet, if the songs on YouTube are any indication, she has an old soul. (I should know more in the weeks to come, as I ordered her two EPs.) Which leads to today’s Top 5: New Artists, Old Songs. (And by “new,” I mean relatively.)

1) Greta Isaac – “House of the Rising Sun.” One song on her YouTube channel that leapt out and struck me is her haunting cover of “House of the Rising Sun” – she credits it as an Animals cover, which for most folks it likely is, but the song actually dates to long before 1964, when Eric Burdon & Co. released their version. (This Wikipedia entry goes into great detail about its history.) In any event, to my ears, hers is a remarkable rendition.

2) The Staves – “I’m on Fire.” As I said above, Greta mines a timeless sound. So do the Staves, whose If I Was album is in the running for my illustrious Album of the Year honors. I’ve shared this video before, I think, but it’s well worth sharing and watching again, as they blend their voices on a wondrous cover of Bruce Springsteen’s “I’m on Fire.”

3) First Aid Kit – “Stand by Your Man”/“Those Memories of You.” Johanna and Klara knock the Tammy Wynette classic out of the park; and connect it with a song from Trio, the Linda Ronstadt, Emmylou Harris and Dolly Parton collaboration from 1987.

4) Leon Bridges – “Chain Gang.” I don’t know much about Bridges, a Texas soul singer, but this is a very cool cover of the Sam Cooke classic.

5) St. Paul & the Broken Bones – “I’ve Been Loving You.” I’d never heard of this Alabama-based soul group until Wednesday night, when I watched the previous night’s Late Show With Stephen Colbert. He joined at the end on the over-stuffed jam.