Category Archives: Dusty Springfield

Today’s Top 5: Curated Classics

Life unfurls like a flag on a windy day. Though it may seem that the cloth never ripples the same way twice, over time certain patterns can be discerned. For example, just like last year about this time, one of my first self-appointed chores of 2017 consisted of digging through the dusty virtual bins of Amazon in search of the perfect CDs to send my niece for her birthday. “Perfect” takes on a double meaning in this context – perfect for her and perfect, overall.

As last year, I used Amazon’s free gift tags to include short notes about each album.

dusty_memphis1) Dusty Springfield – “I Can’t Make It Alone” (from Dusty in Memphis, 1969). I wrote: “Although it didn’t sell well in 1969, this album is now considered a classic. It blends pop and soul in a way that no one had before; and Dusty’s vocals are wondrous.” I’d add: Make that a stone-cold classic; and luscious in addition to wondrous. Rolling Stone ranked it No. 89 on its 2012 list of the Top 500 Albums of All Time; I rank it higher – possibly Top 10. It smolders, yearns and burns, and sounds as fresh to my ears now as it did when I first heard it in the early 1980s.

emmylou_pieces2) Emmylou Harris – “For No One” (from Pieces of the Sky, 1975). I wrote: “Although she’s rarely topped the charts, Emmylou is an integral artist within the modern history of country music. This, her second try at a debut, explains why.” I’d add: Emmylou embraced and made her own the expansive “Cosmic American Music” vision of Gram Parsons, her musical mentor, who passed away in September 1973, on this classic from 1975. In essence, she helped forge the foundation that generations of female country and folk performers, including Taylor Swift and First Aid Kit, have built upon since.

harriet3) Harriet – “Broken for You” (from her eponymous debut, 2016). I wrote: “I discovered this gem on Christmas. Although the songs conjure the Carpenters and pop music of the 1970s, Harriet is a relatively new 20-something singer from London. It should make you smile.” I’d add: This set certainly makes me smile, at least. If I’d been aware of it when I created my Albums of the Year list in early December, I would have ranked it No. 3. It’s everything that’s good about pop music.

rumer_soms4) Rumer – “Aretha.” (from Seasons of My Soul, 2010). I wrote: “This is an atmospheric song cycle that’s teeming with soulful, knowing lyrics & melodies that wrap themselves around the heart. Among its themes: love, longing, loss & acceptance. It’s magic.” I’d add: I borrowed part of that from my first blog post on the Hatboro-Horsham Patch, since moved here; I’ve also written about it here and here. I rank it among my Top Albums of All Time, which I plan to share at some point later in the year.

rumer_vinyl5) Rumer – “This Girl’s in Love With You” (from This Girl’s in Love: A Bacharach & David Songbook, 2016). I wrote: “Burt Bacharach is a legendary songwriter who, with collaborators such as Hal David, crafted some of the world’s greatest songs. This set from Rumer was my Album of the Year for 2016.” For more, see my Album(s) of the Year, 2016 and Today’s Top 5: The Promise of Tomorrow posts. (By the way, that’s Bacharach singing at the start.)

 

Today’s Top 5: The Promise of Tomorrow (circa 1970 & Billboard)

Thanksgiving night, after a wonderful get-together with family, Diane and I continued our trek through Good Girls Revolt. One episode centered on New Year’s Eve of 1969: As the ‘60s came to an end, Patti (Genevieve Angelson) and editor Finn (Chris Diamantopoulos) concluded that the decade had been about suppression and repression; the ‘70s, they predicted, would be about expansion. Then, at about 10:50pm, I received a message from iTunes: Rumer’s This Girl’s in Love: A Bacharach and David Songbook was available for download.

It’s a lilting and lush set; the music possesses the grace of Audrey Hepburn, soul of Dusty Springfield and vocal finesse of the 5th Dimension, if that makes sense, and evokes the era in which the songs were born while remaining firmly rooted in the present. While one can imagine Rumer singing, say, “One Less Bell to Answer” on The Tonight Show in 1969, one can also imagine her swaying to the same music on The Tonight Show next month. At its best, music transcends time and space; and this set does just that.

Anyway, the juxtaposition of Good Girls Revolt and This Girl’s in Love (and, perhaps, too much turkey) led me to reflection – and to the realization that Patti and Finn, in their rush to pass judgment on the ’60s, were wrong. The decade was not a time of suppression or repression. To the contrary. It was a time when the collective American mindset pushed past a centuries-old prejudice (race) and began to do the same with another (gender). That’s not to say prejudice was eliminated; far from it. But the majority of folks realized it was wrong.

Consider this clip from Petula, a TV special starring British pop singer Petula Clark that aired on NBC on April 2, 1968:

The moment near the end, when Petula puts her arm on Harry Belafonte’s? Believe it or not, it spurred a controversy. A vice president of Chrysler, which was sponsoring the show, demanded that another take be used due to the “interracial touching.” Petula Clark and her husband, the special’s producer, said no; NBC sided with them; and the special, when it aired, was a hit. But if that touch had occurred a decade earlier? NBC likely would’ve cut the song or, if not, many TV stations, primarily in the South, would’ve refused to air the show.

That said, despite the decade’s advances, life wasn’t great. Two days after that special aired, for example, Martin Luther King Jr. was assassinated; two months later, Robert Kennedy was killed; four months later, the Democratic National Convention in Chicago turned violent; six months later, Richard Nixon was elected president; and, all the while, the Vietnam War raged – more than 16,592 American soldiers died and 87,388 were wounded that year.

When we strip the gauzy nostalgia from the reality of any time, we’re left with this: What often made the time wonderful was less day-to-day life and more the promise of what had yet to come. It’s why succeeding generations continue to embrace the music of the ‘60s and ‘70s, I think – despite the tumult of the ‘60s and woes of the ‘70s, the messages that powered much of the music were hopeful. And, by and large, we’re a hopeful lot.

Which leads to today’s Top 5: The Promise of Tomorrow, circa 1970 and Billboard. These are the year’s top singles…

1) Simon & Garfunkel – “Bridge Over Troubled Water”

2) The Carpenters – “(They Long to Be) Close to You”

3) The Guess Who – “American Woman”

4) B.J. Thomas – “Raindrops Keep Falling on My Head”

5) Edwin Starr – “War”

6) Diana Ross – “Ain’t No Mountain High Enough”

And a few singles that didn’t make the year’s top 100:

7) The 5th Dimension – “One Less Bell to Answer”

8) Elton John – “Your Song”

9) Dusty Springfield – “A Brand New Me”

 

Today’s Top 5: Good Girls Revolt (circa 1969)

Last night, Diane and I veered away from the never-ending Gilmore Girls marathon on Up to give the Amazon Prime series Good Girls Revolt a try. If you’re unfamiliar with it, the polished drama is a fictionalized adaptation of Lynn Povich’s 2012 book The Good Girls Revolt: How the Women of Newsweek Sued their Bosses and Changed the Workplace. Names have been changed, characters invented and/or combined into one, and the magazine has been retitled News of the Week – but the gist remains the same. As with most professions in 1969 America, which is when the series is set, women were relegated to secondary and supportive roles in most newsrooms. It took a group of brave women to change that.

At essence, then, Good Girls Revolt is sort of a feminist spin on Mad Men. No, it’s not as solid as that series was out of the gate, but it is a step up from the other Mad Men-inspired series I’ve seen. My biggest complaint: the characters are more archetypical than fully formed. For instance, hippie-in-spirit researcher Patti (Genevieve Angelson) – the lead character – sometimes seems little more than a mature Karen Arnold (Kevin’s one-dimensional big sister on The Wonder Years); and her erstwhile reporter-boyfriend Doug (Hunter Parrish) comes across as a cardboard cut-out of a reporter-boyfriend.

I sound a tad harsher there than I intended; the series is a step above most network fare. It peels the gauzy nostalgia from our collective memory and shows that, indeed, not everything in the past was hunky-dory or better than the present. In fact, as most things societal go, the past was worse.

And, for purposes of this blog, it inspired today’s Top 5: Good Girls Revolt (circa 1969). 

1) Janis Joplin – “Work Me, Lord” From The Woodstock Art & Music Fair, 8/17/1969.

2) Jefferson Airplane – “Somebody to Love.” From Dick Cavett’s post-Woodstock episode (8/19/1969) – note David Crosby playing tambourine beside Paul Kantner.

3) Laura Nyro – “He’s a Runner/Save the Country.” From Bobby Darin’s Sounds of the Sixties TV special (though I believe only “Save the Country” aired), which aired Jan. 22, 1969.

4) Roberta Flack – “First Time Ever I Saw Your Face.” Not sure where this is from, just that it’s 1969. Great song, under-appreciated singer.

5) Dusty Springfield – “Son of a Preacher Man.” From a rather psychedelic 1969 German TV special.

And three bonus songs…

6) Jackie DeShannon – “Put a Little Love in Your Heart.”

7) Joni Mitchell – “Woodstock.” From a 1970 appearance on the BBC.

8) Diana Ross & the Supremes – “Someday We’ll Be Together.” The last No. 1 hit of the 1960s…