Category Archives: Bangles

The Essentials: The Bangles’ All Over the Place

(As noted in my first Essentials entry, this is an occasional series in which I spotlight albums that, in my estimation, everyone should experience at least once.)

Although it seems daft to me now, in the early and mid-‘80s I often bought albums on cassette, and cassette only. I’d love to say that, for a time, I did so due to me taking not one, but two buses to travel to and from Penn State’s Ogontz campus (now known as Penn State Abington), which for a time I did, and that during those hour-or-so trips I listened to music via a Walkman clone. Or that I later purchased them for the tape deck that I installed in my ’79 Chevette.

The truth is, however, that I bought them because I bought them, which I’d been doing off and on since my folks gave me a cassette deck that plugged into my Radio Shack compact stereo/turntable in the late 1970s, though the trend picked up steam after Christmas 1982, when they presented me with a Sanyo Mini AM/FM Cassette Recorder Stereo. Sometimes I went with the cassette because the vinyl wasn’t in stock; and other times just because. In some cases, I eventually bought the same album on vinyl – but there was no rhyme or reason as to what got duplicated. Some touchstone albums in my life, such as Neil Young’s Everybody Knows This Is Nowhere, Lone Justice’s debut and Dwight Yoakam’s Guitars, Cadillacs, Etc., Etc., never made the jump to vinyl (though all, in time, made the leap to CD) while others that weren’t did.

Another touchstone album that I never picked up on vinyl: the Bangles’ All Over the Place, which – says Wikipedia – was released on May 23, 1984. I didn’t purchase it until the fall, however – on October 15th, a Monday, according to my desk diary, four days before another touchstone album, David Crosby’s If I Could Only Remember My Name…, came into my life. (It may seem incongruous to love both, yet I did…and still do.)

That is, I didn’t buy the vinyl until yesterday, when I stopped in HHH Records a used-vinyl store near me, and found it for $4. (Clean LP, no pops, crackles or snaps.)

As I wrote in my long-ago review of Susanna Hoffs’ Someday album, thanks to Rolling Stone, I’d been aware of the Bangles since March 1983, though I didn’t actually hear them until their videos for “Hero Takes a Fall” and “Going Down to Liverpool” received play on MTV in the spring and summer of ’84.

(Leonard Nimoy’s friendship with Susanna Hoffs’ parents accounts for his appearance in the video, from what I’ve read.)

The band was the focus of a Michael Goldberg-penned article in Rolling Stone that September and, presumably, a review around the same time, though my lack of access to the RS Archives means I can’t confirm the latter (and I have no memory of reading one).

Wayne King did offer a less-than-glowing review of their debut LP in the September issue of Record magazine, however. The words that would’ve caught my eyes: “bouncy guitar group sounds,” “soaring vocals” and “mid-‘60s fixation.” The criticism itself…eh. I’d already seen the videos. They sounded good to me. It was just a matter of when, not if, I invested in the LP…or, in this case, cassette.

To my ears then and now, All Over the Place echoes the mid-‘60s, specifically the Beatles and Byrds, while sounding very much of its own time. I.e., it’s both retro and modern, and – simultaneously – ahead of the curve. “Hero Takes a Fall” is one example. Another is “Tell Me”…

And another is “Dover Beach.” (Check out Vicki Peterson channeling her inner Dave Davies at the 3 minute mark.)

Really, to me, All Over the Place – despite topping out at No. 153 on the Billboard charts – is reason enough for the band (Susanna Hoffs, Vicki Peterson, Debbie Peterson and Michael Steele) to be inducted into the Rock & Roll Hall of Fame. (Additional reasons came along later in the decade, of course.)

Anyway, here they are on Late Night With David Letterman in November of ‘84…

Side 1:

  1. Hero Takes a Fall
  2. Live
  3. James
  4. All About You
  5. Dover Beach

Side 2:

  1. Tell Me
  2. Restless
  3. Going Down to Liverpool
  4. He’s Got a Secret
  5. Silent Treatment
  6. More Than Meets the Eye

Here’s the album in full, via YouTube…

I should mention, the playlist includes a bonus track tacked onto the CD at some point in time: a cover of the Grass Roots’ first hit, “Where Were You When I Needed You,” which the Bangles released as the b-side to “Hero Takes a Fall.” (As I point out in my (un)Essentials essay on Jan & Dean’s semi-classic, semi-kitsch Folk ’n Roll album, however, the Grass Roots weren’t the first to release the song. The surfer duo was.)

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Today’s Top 5: June 3, 1986

I have no idea as to where I was, or what I was doing, on this day in 1986. I can say, thanks to the wonders of the Internet, that it was a Tuesday and a fine, fine day and great night, given that we enjoyed a high of 72 and low of 48. I can also say, based on the basic timeframe: I’d recently finished my junior year at the Penn State mothership, and was back home for the summer. I was working, working and working at a department store while also taking (or about to take) a summer class at Penn State’s Ogontz campus: physical education.

The photos are from a few months earlier. The one at the top is my dorm room, minus my messy bed; the second is me, at my desk in said dorm room. (I’d be in a different dorm and room, and have a different roommate, when I returned to the mothership in the fall.) You may not be able to tell from the second picture, but those are paisley patterns dotting my shirt – a nod to the Paisley Underground. As I’ve written before, I was an English/Creative Writing major, deejayed a folk show on the student-run radio station and enjoyed a boatload of fun despite being a year too young for the bars.

Among the day’s headlines: Secretary of State George Shultz took a hard line against South Africa’s apartheid policies; the Supreme Court ruled that cable-TV operators were protected by the First Amendment; and the U.S. Senate broadcast its floor debate on TV for the first time. Also: former (and future) Go-Go released her debut album, Belinda, which included “Mad About You.” According to Weekly Top 40’s charts for the week ending June 7th, that catchy song was one of the week’s “power plays,” having jumped from No. 59 to 49.

Other recent releases that caught my ear: Steve Earle’s Guitar Town, Lou Reed’s Mistrial and Bob Seger & the Silver Bullet Band’s Like a Rock. Also receiving frequent play: the Bangles’ Different Light, which had been released in January; Emmylou Harris’ Thirteen, which was released in February; and others that I’ve long-since forgotten. Other, older albums in frequent rotation included Lone Justice’s debut, the Long Ryders’ State of Our Union, Jane Wiedlin’s solo debut and the Three O’Clock’s Arrive Without Traveling, plus whatever else I singled out in my 1985 roundup. (Many of my favorites for 1986 are here, but most had yet to be released by this point in the year.) Of course, there were my mainstays, too, including the Beatles, Neil Young, Janis Joplin and Hank Jr.

Anyway, onward to today’s Top 5: June 3, 1986 (based on the charts ending the 7th).

1) Madonna – “Live to Tell.” Most of my friends were not Madonna fans. They were into prog-rock, rock and/or folk music, and save for one dismissed her without listening to her music. I did not. To my ears, her first two albums were good, not great, affairs; True Blue, for me, was (and remains) her best work. This, its lead single was, and remains, a thing of wonder; and was No. 1 this week.

2) Simply Red – “Holding Back the Years.” Jumping from No. 22 to 16 is this soulful gem from the Manchester band’s 1985 debut.

3) John Cougar Mellencamp – “Rain on the Scarecrow.” The title tune to Mellencamp’s classic 1985 album Scarecrow, rises from No. 26 to 22. (I’ve featured the album before, of course.)

4) Bob Seger & the Silver Bullet Band – “Like a Rock.” Jumping 10 notches to No. 28 this week is this tune from the album of the same name. On the one hand, the song is yet another variation of Seger’s patented nostalgia-soaked formula, which dates (at least) to Brand New Morning’s “Railroad Days” in 1971. On the other hand, formulaic or not, it’s a damn good song – and just gets better the older I get.

5) Janet Jackson – “Nasty.” Looking back, one thing (among many) that I can definitely fault myself for is missing Janet Jackson’s third album, Control. (By decade’s end, when I was working in a CD store, I’d realize what I missed; and, in fact, saw her on her Rhythm Nation tour – a future Of Concerts Past entry, no question.) In its fourth week on the charts this, one of her iconic songs, clocked in at No. 33. (“What Have You Done for Me Lately” was No. 19, for what that’s worth.)

And one bonus…

6) The Bangles – “If She Knew What She Wants.” Another “power play” track, this gem from Different Light climbs to No. 42; and here they are on the Letterman show performing it with the house band:

Today’s Top 5: April 1983 (via Record)

April 1983: high-school graduation was a month and change away. I’d yet to attend a concert, outside of some nondescript local band (named Lightning, if memory serves) that played the high school one Friday or Saturday night in ’81 or ‘82. That would change the following month, though, when I saw not one, but two cool shows: the Kinks at the Spectrum and Roxy Music (with Modern English opening) at the Tower Theater…

And, yes, we have been here before: That opening paragraph is borrowed from what I wrote 11 months back, when I covered this same stitch in time – but via Musician magazine (click here for that). So, instead of regurgitating a similar recap, I’ll turn straight to the newsprint. And I do mean newsprint: the newspaper-like Record came folded in fourths, just like its big brother Rolling Stone did in the early ‘70s, and the ink sometimes smudged on the fingers.

Ric Ocasek of the Cars, as evidenced by the picture up top, graces the cover. He’s the focus of an in-depth profile by David Gans that, as the Contents page reveals, uncovers the fact that the soft-spoken musician is warm, human and lovable. Who would’ve guessed?

Today’s top 5:

1) Holly & the Italians – “Dangerously.” Mark Mehler pens an excellent profile of Holly Beth Vincent, which opens with this: “One morning about a year ago, [she] awoke to perhaps the worst feeling a human being can have—none at all. ‘I felt like I was in a void,’ she says matter-of-factly, not unlike one of those ‘real people’ on television describing the onset of a migraine headache. ‘I had no control over my body. I didn’t know who or where I was.’”

That inability to move apparently didn’t stop her from grabbing for a pen and scribbling the lyrics to this song, which graces her second album, Holly and the Italians. According to Mehler, “it’s one of several tunes on the album dealing explicitly with the thin line between sanity and insanity; with remembrance; with violence and loss. But these subjects are handled with poignancy, melodic grace and occasional humor.”

2) R.E.M. – “Radio Free Europe.” Mehler also catches up with R.E.M.’s Michael Stipe, who discusses the recording of his band’s first album, then tentatively titled 7,000 Gifts. “From what I can hear,” he says, “most albums consist of ten songs all sounding pretty much the same. It’s taking me a long time to come to terms with the fact that we’re actually in the middle of recording one ourselves.” The brief piece concludes with Stipe discussing touring: “I don’t like to drive the van. Driving from Philadelphia to Madison, Wisconsin, in the middle of the night is no fun. But I can’t claim to be a martyr to rock ’n’ roll; it’s the life I chose.”

3) Marvin Gaye – “Sexual Healing.” At this point in time, Marvin was in the midst of a comeback – and sat for an interview with Gavin Martin. There’s far too much to recount, but I found and still find the last questions and answers  illuminating and sad.

4) Neil Young – “Transformer Man.” Stuart Cohn is not kind to Neil’s Trans album: “Neil Young’s much-vaunted experiment in electronic music is like one of those get-rich-quick schemes everyone comes up with now and then. It seems like a sure thing in the middle of the night as the drinks are flowing. But hungover in the cold light of dawn, you realize it wasn’t such a great idea after all.”

5) The Bangles – “I’m in Line.” Wayne King tackles the debut EP of “yet another all-girl group.” As you can see in the scan, he raises the question that “haunts most all female acts” – whether they play their own instruments on record – before dismissing it as irrelevant: “somebody has come up with what they used to call a hot platter, one so tight and sharp that it threatens to singlehandedly resurrect that deservedly-dormant phrase, power pop.”

He also singles out their “intricate and endearingly rough harmonizing” and equates the end of “I’m in Line” to the Move’s “Message From the Country.” He also pushes forth his view of how the band should evolve: “If the Bangles don’t yet articulate the tough sexual politics of a Chrissie Hynde, they at least may be close to finding that voice.”