Category Archives: 1983

Roxy Music: The High Road EP

April 30th, 1983: I was a high-school senior. All in all, life was grand. And, as this was a Saturday, that meant me heading to the Hatboro Record Shop, where I browsed for an hour or so before settling on my day’s purchases: Roxy Music’s High Road EP on vinyl and Avalon on cassette; and Bananarama’s Deep Sea Skiving on cassette.

I won’t go in-depth about the month itself; I’ve tread this period of time too much as is. (See here, here and here.) Instead, the reason for this particular post: Roxy Music’s sleek yet powerful rendition of Neil Young’s “Like a Hurricane” from the High Road EP. By the end of the month, in my second-ever concert, I witnessed them perform it in person. It blew me away.

Unfortunately, the above version comes from the High Road concert film, which was shot at a different stop on the band’s 1982 tour than the EP. A full-length live album from the tour, Heart Is Still Beating, was eventually released on CD in 1990, but it’s basically the soundtrack to the film with the songs in a different order.

Anyway, the 12-inch EP featured just four songs: “Can’t Let Go” and “My Only Love” on Side 1 and “Like a Hurricane” and John Lennon’s “Jealous Guy” on Side 2. I thought that it had been lost to time…until I discovered it on YouTube a few weeks ago. Here it is:

Today’s Top 5: April 1983 (via Record)

April 1983: high-school graduation was a month and change away. I’d yet to attend a concert, outside of some nondescript local band (named Lightning, if memory serves) that played the high school one Friday or Saturday night in ’81 or ‘82. That would change the following month, though, when I saw not one, but two cool shows: the Kinks at the Spectrum and Roxy Music (with Modern English opening) at the Tower Theater…

And, yes, we have been here before: That opening paragraph is borrowed from what I wrote 11 months back, when I covered this same stitch in time – but via Musician magazine (click here for that). So, instead of regurgitating a similar recap, I’ll turn straight to the newsprint. And I do mean newsprint: the newspaper-like Record came folded in fourths, just like its big brother Rolling Stone did in the early ‘70s, and the ink sometimes smudged on the fingers.

Ric Ocasek of the Cars, as evidenced by the picture up top, graces the cover. He’s the focus of an in-depth profile by David Gans that, as the Contents page reveals, uncovers the fact that the soft-spoken musician is warm, human and lovable. Who would’ve guessed?

Today’s top 5:

1) Holly & the Italians – “Dangerously.” Mark Mehler pens an excellent profile of Holly Beth Vincent, which opens with this: “One morning about a year ago, [she] awoke to perhaps the worst feeling a human being can have—none at all. ‘I felt like I was in a void,’ she says matter-of-factly, not unlike one of those ‘real people’ on television describing the onset of a migraine headache. ‘I had no control over my body. I didn’t know who or where I was.’”

That inability to move apparently didn’t stop her from grabbing for a pen and scribbling the lyrics to this song, which graces her second album, Holly and the Italians. According to Mehler, “it’s one of several tunes on the album dealing explicitly with the thin line between sanity and insanity; with remembrance; with violence and loss. But these subjects are handled with poignancy, melodic grace and occasional humor.”

2) R.E.M. – “Radio Free Europe.” Mehler also catches up with R.E.M.’s Michael Stipe, who discusses the recording of his band’s first album, then tentatively titled 7,000 Gifts. “From what I can hear,” he says, “most albums consist of ten songs all sounding pretty much the same. It’s taking me a long time to come to terms with the fact that we’re actually in the middle of recording one ourselves.” The brief piece concludes with Stipe discussing touring: “I don’t like to drive the van. Driving from Philadelphia to Madison, Wisconsin, in the middle of the night is no fun. But I can’t claim to be a martyr to rock ’n’ roll; it’s the life I chose.”

3) Marvin Gaye – “Sexual Healing.” At this point in time, Marvin was in the midst of a comeback – and sat for an interview with Gavin Martin. There’s far too much to recount, but I found and still find the last questions and answers  illuminating and sad.

4) Neil Young – “Transformer Man.” Stuart Cohn is not kind to Neil’s Trans album: “Neil Young’s much-vaunted experiment in electronic music is like one of those get-rich-quick schemes everyone comes up with now and then. It seems like a sure thing in the middle of the night as the drinks are flowing. But hungover in the cold light of dawn, you realize it wasn’t such a great idea after all.”

5) The Bangles – “I’m in Line.” Wayne King tackles the debut EP of “yet another all-girl group.” As you can see in the scan, he raises the question that “haunts most all female acts” – whether they play their own instruments on record – before dismissing it as irrelevant: “somebody has come up with what they used to call a hot platter, one so tight and sharp that it threatens to singlehandedly resurrect that deservedly-dormant phrase, power pop.”

He also singles out their “intricate and endearingly rough harmonizing” and equates the end of “I’m in Line” to the Move’s “Message From the Country.” He also pushes forth his view of how the band should evolve: “If the Bangles don’t yet articulate the tough sexual politics of a Chrissie Hynde, they at least may be close to finding that voice.”

Of Concerts Past: The Kinks @ the Spectrum, 5/21/1983

My first concert was supposed to be Roxy Music with Modern English on Saturday May 28th, 1983. I was 17, about to graduate high school and, as I’ve written before, somewhat of a music-obsessed geek. Two friends and I had tickets for the show, and all systems were a go despite a last-minute change in venue (due, I believe, to poor ticket sales) from the Spectrum in South Philly to the Tower Theater in Upper Darby.

The rest of that specific memory is for another post, however. The reason I start with it is this:

One of those same friends came to me the week of the 16th: Would I like to see the Kinks on Saturday with him and a mutual friend’s older sister? I don’t remember why the mutual friend (who was more of acquaintance to me) couldn’t go or if he even wanted to go, just that the ticket fell into my lap because of his absence. It’s possible that he was a casualty of the concert having been rescheduled – the show was originally slated for March, but pushed back to May for reasons unknown. In fact, the sister – who was a few years older than us – may have originally intended to attend the March fest with her friends only to see those plans wrecked by the date change.


All I knew was: the Kinks! Yes, I wanted to go! I liked them. Many of their songs were standard fare on Philly’s two rock stations, WMMR and WYSP, so even though I didn’t own much by the British rock group, I was familiar with all their classic tracks; and “Come Dancing,” their latest single, was getting much airplay – especially on MTV. (And when I say “I didn’t own much by them,” I mean it quite literally. The double-LP One for the Road live album, which I bought in late 1980 after reading a review of in Rolling Stone, was it.)

To the night in question: The ride to the Spectrum was far simpler and straighter than the ride to the Tower Theater would be the following week: a straight shot down I-95, off at the proper exit and…there we were, ready to rock. I remember our seats as being first-level, but I doubt they were – and no seating chart that I can find dates back to the early ‘80s. Wherever Section R was, that was us. I do recall we had a good view of the stage, however, and that our section was sparsely filled.

Oh, and the sister was annoyed most of the night – not with me, but my friend.

According to Doug Hinman’s The Kinks: All Day and All of the Night, the Maryland hard-rock band Kix opened, but I have no memory of them. None. Nada. Zip. What I do remember: the arena going dark, spotlights skipping across the crowd while ambient noise cascaded from the sound system – and then the killer chords of “Around the Dial” spiraling from the suddenly well-lit stage. Ray looked dapper in a sport coat and tie; I’m not sure about the rest of the band.

One other memory: “Destroyer.” The drum-and-bass intro lasted a tad longer than on record; and Ray sang-spoke to the beat in his pre-rap rap, “Met a girl called Lola and I took her back to my place/Feelin’ guilty, feelin’ scared, hidden cameras everywhere/Stop!” The arena went pitch-black – well, as pitch-black as it could get. The band went silent. The audience roared. Maybe 30 seconds. Maybe less. And then the lights doused the stage again. “Hold on,” Ray spoke-sang. “Stay in control…”

What else? I’m afraid my memories have become intertwined with the audio from One for the Road, which I still listen to with regularity, and my second time seeing the Kinks, at Penn State’s Rec Hall in late 1985. So when I hear “Lola,” I hear Ray teasing the audience – and, according to the set list below, he did it this night, too. And when I think of “Come Dancing,” I see lights swirling and twirling across the crowd. The same with “Celluloid Heroes…”

In my desk diary, I noted that the show was “excellent” and referenced “Lola” and “You Really Got Me” as being high points.

Anyway, I searched the ‘net for more information about this concert and came away with only this blog post, from which I’ve borrowed the set list; it may or may not be accurate. I should also mention that State of Confusion, the album-home of “Come Dancing,” had yet to be released – that would come in June – so the title track, “Don’t Forget to Dance” and “Bernadette” were not known entities at the time. (Wikipedia pegs the release as the 10th, but I record buying it and Stevie Nicks’ “Stand Back” single on the 2nd in my desk diary.)

What else? I picked up Give the People What They Want the week after the concert. It was a great show.

The set:

  1. Around the Dial
  2. Definite Maybe (intro only)
  3. State of Confusion
  4. The Hard Way
  5. Destroyer
  6. Yo-Yo
  7. Come Dancing
  8. Don’t Forget to Dance
  9. (Lola intro)/Lola
  10. (Wish I Could Fly Like) Superman
  11. A Gallon of Gas
  12. Art Lover
  13. Till the End of the Day
  14. Bernadette
  15. All Day and All of the Night
  16. Pressure
  17. Low Budget
  18. Celluloid Heroes
  19. You Really Got Me