Category Archives: 1982

Today’s Top 5: June 1982 (via Creem)

Every Monday, we rolled out of bed, ate breakfast while scanning the sports section of the morning newspaper, and headed to the bus stop, where we waited with a motley crew of kids from the neighborhood. At school, we navigated the halls on the way to and fro’ class, and fled at day’s end unless we had an after-school activity of some kind. The next morn, we did it again. And again after that, times three, until summer break came.

After school, depending on weather and mood, we played in the street or the park, rode our bikes or walked to independently owned music and book stores in our small town’s business district, or hiked the long hill to the Village Mall, where we browsed the chain-store versions of the same. The main difference: the folks behind the counter at those independent stores knew my name. At the chain stores? They only knew my cash.

In 1982, social media would have meant talk radio. Cable TV was around, but channels weren’t many. In the Philly area, the most important to get was PRISM, an HBO-like premium channel that, in addition to movies and specials, carried the home games of the Flyers.

In some respects, life was less hectic. The news cycle played out in drips and drabs via the newspapers and evening newscasts, not the incessant drumbeat of disagreements that fill our Facebook and Twitter feeds. But, make no mistake, life was no less difficult then as now. June 1982, for example, saw America stuck in a wretched recession: Inflation clocked in at 7.2 percent while unemployment was 9.8 percent.

I was 16, going on 17.

New movies released this month include Poltergeist, Star Trek II: The Wrath of Khan, E.T., Grease 2 and Blade Runner. True story: one day later this month, after school had let out for the summer, a friend and I trekked to the Village Mall, which was home to an two-screen Eric movie theater. He took in Poltergeist. I took in…Grease 2. That’s just how I rolled.

The top TV shows for the just-concluded 1981-82 season included Dallas, 60 Minutes, The Jeffersons, Three’s Company, Alice, The Dukes of Hazzard, Too Close for Comfort, M*A*S*H and One Day at a Time. (Of those, I only watched the last two on a regular basis.)

In the world of music, Paul McCartney and Stevie Wonder were atop the charts with “Ebony and Ivory” – a 45 I still own – for all of June. Other hot hits included Rick Springfield’s “Don’t Talk to Strangers,” Tommy Tutone’s “867-5309/Jenny,” the Human League’s “Don’t You Want Me” and Joan Jett & the Blackhearts’ cover of “Crimson & Clover.” (As always with all things charts, I rely on Weekly Top 40.)

Which leads to today’s Top 5: June 1982 via Creem. Joan Jett graces the front cover of the issue and, via an ad, the back.

1) Joan Jett & the Blackhearts – “I Love Rock ’n Roll.” The Iman Lababedi-penned cover article chronicles Joan Jett’s ascent from the generally ignored Runaways to this point in time, when she was on a roll, having finished a seven-week run at No. 1 with “I Love Rock ’n Roll” on May 1st, and then cracking the Top 10 again this month with “Crimson & Clover,” to say nothing of her platinum-selling I Love  Rock ’n Roll album.

2) Quarterflash – “Harden My Heart.” “In the United States, statistics show, a girl is walking out on her no-good man every 15 minutes. Statistics also show that 15 minutes later they’re going out and buying the Quarterflash record.” So begins music journalist Sylvie Simmons in this in-depth profile of the Portland, Oregon, band, which – to my ears – always sounded somewhat like Pat Benatar. Interestingly, the songs weren’t written by singer (and saxophonist) Rindy Ross, but her husband, guitarist Marv Ross.

3) The Jam – “A Town Called Malice.” Penny Valentine checks in from Britain with a good piece on the Jam. “Not since the Specials’ ‘Ghost Town’ has a record so well captured an urban mood and sent out its own warning: ‘Better stop dreaming of the quiet life/‘Cause it’s the one we’ll never know/And quit running for that runaway bus/‘Cause those rosy days are few.’”

She also delves into the album the song springs from. “So ‘Gift,’ an indecisive, incomplete, somewhat directionless collection musically and a set which reflects Weller’s own confusion between a salvation that lies with love and individualism or collective action, somewhat accidentally reflects exactly the political climate at the moment.”

4) Van Morrison – “Cleaning Windows.” Richard Riegel has the lead review, of Van Morrison’s Beautiful Vision, in the Records section. Of this song, he writes that “‘Cleaning Windows,’ which opens Side Two of Beautiful Vision, picks up some of the threads of ‘Summertime in England,” and is the most interesting song on the new set as a result. ‘Cleaning Windows’ stars Van Morrison as a repatriated Belfast window washer, who measures his life in the number of sparkling panes he’s left behind…”

He also laments that “nowhere else on Beautiful Vision does Van Morrison allow us such crystalline metaphors for his life. All 10 cuts have his trademark beautiful-vision melodies but lyrically too many of the other songs celebrate those vague bromides favorited by Bob Dylan in recent years, songs in which the satisfaction of the singer’s belief is supposed to substitute for acute lyric detail.”

5) The Call – “War-Weary World.” Riegel also contributes his take on the Call’s eponymous debut to the Rock-a-Rama roundup: “Clenched-jaw, urban-melodrama-verging-on-paranoia, a la Talking Heads, but far icier and more detached music than David Byrne would ever allow his disciplined-to-funk urban soul to express.”


The Essentials: Joan Jett & the Blackhearts – I Love Rock ’n Roll

(As noted in my first Essentials entry, this is an occasional series in which I spotlight albums that, in my estimation, everyone should experience at least once.)

The pages of history textbooks are filled will legions of folks who shaped the world, but – academia being what it is – many important people receive cursory mentions or none at all. Like Joan Jett.

Don’t get me wrong – there were important women rockers before her, and any music fan worth his or her salt should be able to list them – and she shared space in the record racks and ink in the rock magazines with a number of equally important contemporaries, albeit ones who were blazing trails in different genres. But few, male or female, rocked as consistently hard and steady as Joan Jett during the ’80s. Beginning with the I Love Rock ’n Roll album, which was released on November 18th, 1981, she taught a generation of gals and guys that either gender could make like Chuck Berry.

It was a long time coming, of course. She first dented the door to the men’s room that was rock ’n’ roll in the mid-1970s with the Runaways, though – success in Japan aside – they never transcended to popular acclaim. Her first solo album in 1980, originally a self-titled release before being rechristened Bad Reputation in January 1981, did achieve greatness – but few heard it. She finally kicked down the door in early 1982 with help from MTV, and the video for the chart-topping title track to her second LP. (Rock radio, at least in my neck of the woods, ignored her until then.)

The song, as the album as a whole, mixes elements of new wave, punk, glam rock and old-fashioned rock ’n’ roll into a delectable whole. It’s hot, heavy, loud and gritty or, as my mother-in-law might say, “it’s rough, it’s tough, and it’s got the stuff.”

The cover of Tommy James and the Shondells’ “Crimson & Clover,” which peaked at No. 7 on the Billboard charts, is equally audacious.

It’s also the album’s slowest song.

What makes an album great – and essential – isn’t any one song, of course, though some may be better than others. It’s the album in total. And in the case of I Love Rock n’ Roll, that means the other eight tracks on the LP – and they’re as solid as the two singles. What teenager (or adult, for that matter) couldn’t identify with “Victim of Circumstance”?

And who hasn’t known a “Nag”?

Like the title track, “Crimson & Clover” and several others on the LP, it’s a cover song, in this case one by a doo-wop group called the Haloes, who had a No. 25 hit with it in 1961. One of the other covers is one of Joan’s own, the Runaways’ “You’re Too Possessive” (from that band’s overlooked 1977 Waitin’ for the Night album):

There’s also the original “(I’m Gonna) Run Away”…

…and “Love Is Pain”:

On the original pressing of the LP (which I had), there was this Christmas treat –

After the holidays, Boardwalk replaced it with Joan’s own “Oh Woe Is Me,” which had been the b-side to “Crimson & Clover.”

The success of the album, which peaked at No. 2 on the Billboard charts, led to a resurgence of interest for Bad Reputation, and paved the way for her strong third and fourth albums, Album (1983) and Glorious Results of a Misspent Youth (1984). True, they followed a similar pattern – a mix of killer new songs and choice covers – but it’s a pattern that didn’t grow old then, and doesn’t sound old now when or if you listen to them.

Side 1:

  1. I Love Rock ’n Roll
  2. (I’m Gonna) Run Away
  3. Love Is Pain
  4. Nag
  5. Crimson & Clover

Side 2:

  1. Victim of Circumstance
  2. Bits and Pieces
  3. Be Straight
  4. You’re Too Possessive
  5. Little Drummer Boy

The Essentials: Neil Young & Crazy Horse – Everybody Knows This Is Nowhere

(As noted in my first Essentials entry, this is an occasional series in which I spotlight albums that, in my estimation, everyone should experience at least once.)

The first Neil Young album I purchased was re*ac*tor in late 1981, when I was 16. Flawed though it was, I loved it – “Southern Pacific,” “Rapid Transit” and “Shots,” to say nothing of “Opera Star” and “Surfer Joe and Moe the Sleaze,” sawed against the grain of what my brain understood to be rock music. It wasn’t Beatlesque or Stones-ish, or New Wave. It was unique, guitar heavy and great. I named it my Album of the Year.

The second Neil Young LP I purchased – a few months later, though I could be wrong there – was Hawks & Doves, which he had released the previous year. I remember being surprised by the subdued sonics of Side One, a collection of acoustic songs, and taken aback by Side Two, which consists of country-flavored tracks. Don’t get me wrong: I liked Side One, and played it quite a bit. Side Two, however…I don’t think I revisited those songs until the CD release, which I picked up years after its 2003 street date.

In other words, I liked Neil. I quickly came to know and enjoy other songs by him thanks to WMMR and WYSP, Philly’s two rock stations, and WIOQ, which was more oriented towards singer-songwriters and soft rock.

But, like many teens, my record-buying budget was slim. Time and circumstance, in other words, conspired against me – until the week after Christmas of 1982, when I was flush with cash. In one fell swoop, I picked up six Neil Young albums on cassette (along with, over the course of the week, a slew of other albums).

Everybody Knows This Is Nowhere quickly became my most-played Neil album – and it still is.

Most fans already know the story behind Everybody Knows This Is Nowhere: In the mid-1960s, while with the Buffalo Springfield, Neil met and jammed with another Laurel Canyon-based rock group, the Rockets, and liked what he heard; they jammed again after he’d split (for good) from the Springfield and, when he was ready to record his second solo album, he “borrowed” the band’s rhythm guitarist, bassist and drummer (Danny Whitten, Billy Talbot and Ralph Molina), rechristened them Crazy Horse – and never gave them back.

What can be written about the album itself that hasn’t been said before? That, to my ears, it’s one of the greatest albums of all times? That the swirling guitar jams with Whitten are akin to jazz greats trading horn riffs? That the swirling melodies lift you up when you need it most, and usher you back down when you’re too far from the ground? Yeah. It’s been said before. Which is why, on my old website in the late ‘90s, I summarized it as thus:

“Cinnamon Girl.” “Everybody Knows This Is Nowhere.” “Down by the River.” “Cowgirl in the Sand.” ‘Nuff said. I graded it an A+. I’d grade it even higher now.

Side One:

  1. Cinnamon Girl
  2. Everybody Knows This Is Nowhere
  3. Round & Round (It Won’t Be Long)
  4. Down by the River

Side Two:

  1. The Losing End (When You’re On)
  2. Running Dry (Requiem for the Rockets)
  3. Cowgirl in the Sand

Here’s the album in full: