Category Archives: 1960s

The (un)Essentials – Jan & Dean’s Folk ’n Roll

(As noted in my first Essentials entry, this is an occasional series in which I spotlight albums that, in my estimation, everyone should experience at least once in their life.)

Like many a child of the ‘70s, my introduction to the surf-rock stylings of Jan & Dean came by way of oldies radio. In my case, it was Michael St. John’s Saturday-night show on WPEN-AM in Philadelphia, which I tuned in after Elvis Presley’s death. I picked up a few double A-sided singles of theirs from the Hatboro Music Shop and, like many of my classmates, was blown away by Deadman’s Curve, the made-for-TV biopic about them that aired on CBS on Feb. 3, 1978.

I was 12 years old. Soon enough my attention would be diverted elsewhere – but I never forgot about their music, which I found funny, sly and just plain good. A year or three later, in fact, I wound up picking up their two-LP Anthology. Not only did it collect their best work, aka their hits, but it also included their versions of two Beach Boys songs (“Surfin’ Safari” and “Little Deuce Coupe”) and two Beatles songs (“Michelle” and “You’ve Got to Hide My Love Away”).

Fast forward a few more years, to the end of 1984: I’m browsing the used and rare vinyl in Memory Lane Records in Horsham and come across Early L.A., a compilation that featured pre-fame recordings by Dino Valenti, David Crosby, the Byrds and Canned Heat… and Jan & Dean’s 1965 LP Folk ’n Roll, which found the duo trading in their surfboards for fringed jackets.

The mid-‘60s were a difficult time for established acts, remember. Times and tastes were changing at a rapid clip, and veterans were doing whatever they could to hold onto the spotlight. Folk ’n Roll is a perfect example of that. It’s not a great album, though it has a few good-great moments; and, title aside, it’s less folk-rock and more pop-folk, with a dose of attempted satire tossed into the mix.

That said, the opener – “I Found a Girl” – could’ve been released at any point in the preceding years …

I should mention that it was co-written by the legendary P.F. Sloan and partner Steve Barri, who worked with Jan Berry often in those days. (That’s Sloan’s falsetto on “The Little Old Lady from Pasadena,” in fact.) “Where Were You When I Needed You,” which closes the first side, is also theirs; and has more of a folk-rock feel…

“Where Were You” was a hit for the Grass Roots the following year, of course; that group was created after Sloan-Barri’s demo began receiving airplay sometime in 1965. The Jan & Dean version falls between the demo and the official Grass Roots release, I believe. I should add that its similarity to Sloan’s “Eve of Destruction” is even more pronounced here because “Eve” falls two songs earlier on this album side.

Part of what I find to be the kitschy charm of Folk ‘n Roll comes from the earnest unease that the duo have with the material. They don’t sound comfortable with the slowed folk-rock beat or ringing Rickenbacker, for example, though their harmonies remain a joy to hear…

…and, yet, the album is eminently listenable – even the one misfire, “A Beginning from an End,” about a man seeing his late wife in his daughter. That sounds sweet, and it is – up until the spoken interlude, when he recalls the wife’s death during childbirth. “I felt so all alone as they wheeled you through the doors and told me to wait….” (In some respects, that interlude conjures “Deadman’s Curve.”) The song sounds great until you listen to the lyrics, basically. And once you do? It becomes awkward. And crass. Let’s leave it there.

Well, let’s not. Here it is:

Likewise, their attempt at satire with “The Universal Coward” falls flat – the song is similar, in a sense, to “Ballad of the Yellow Beret,” the parody of Sgt. Barry Sadler’s “Ballad of the Green Beret” that featured a young Bob Seger. (In their defense: Neither possessed crystal balls that foretold what was to come.) More funny: the back cover picture of a new “potest” movement:

And, too, the title tune – which borrows its melody from “Surf City” – is a funny delight. Unlike “Coward,” it pokes affectionate fun at the folk-rock scene.

So, in short: Not a great album (thus it’s “(un)essential designation”), but an interesting listen, all the same.

To hear the album in full (and with commercials):

Today’s Top 5: May 13, 1967

Fifty years ago today, the Summer of Love was in the offing for 16-year-old Wendy D. of Allegheny County, Pa., the home of Pittsburgh, three smaller cities and a bevy of boroughs and townships – but also a summer of love troubles, as often happens in teen romances. I’m sure she was vaguely aware of the former when she wrote the entry, but as for the latter? She wasn’t clairvoyant. (If she was, my hunch is she wouldn’t have continued to see Tom, who was but one of several suitors. Let’s just say things don’t work out so well between them and leave it at that…for now.)

The movie they saw, A Man for All Seasons, was released on December 12, 1966. In today’s world, of course, all but the biggest of blockbusters have left the theaters within five months and are prepping for their blu-ray/DVD release and/or PPV debut. Back then? Things stuck around. Movies routinely started small, at select theaters, and slowly widened in scope, hopscotching the country and media markets. (Mass distribution, where a movie opens on hundreds – if not thousands – of screens at a time, didn’t become commonplace until 1974 and The Trial of Billy Jack.)

The top TV shows for the 1966-’67 season were (in order) BonanzaThe Red Skelton Hour, Andy Griffith Show, Lucy Show and Jackie Gleason Show. The Lawrence Welk Show, which was in a four-way tie for No. 10, was a few spots higher than The Smother Brothers Comedy Hour.

On the music front: According to the Weekly Top 40, the Supremes’ “The Happening” was the No. 1 single on the charts.

I featured that song in the April 22nd, 1967 Top 5, of course. And, between that entry and the one for April 2nd, I’ve spotlighted the top five songs on this week’s Top 40 chart fairly recently. As a result, I’ll be digging deep into the chart for today’s countdown.

And, with that caveat out of the way, here’s today’s Top 5, May 13, 1967 (via Weekly Top 40).

1) The Happenings – “I Got Rhythm.” The No. 9 song this week is this…kitschy delight? It was one of four Top 40 singles the group scored from 1966 through ’68. This one, like their 1966 hit “See You in September,” topped out at No. 3.

2) The Mamas & the Papas – “Creeque Alley.” Jumping from No. 44 to No. 22 is this self-mythologizing song, which tells of the formation of the group.

3) Jefferson Airplane – “Somebody to Love.” Holding steady at No. 31 in its seventh week on the charts is this Summer of Love anthem from the Airplane, which would eventually fly into the Top 10. Here they are performing it at the Monterey Pop Festival on June 17th.

4) The Who – “Happy Jack.” One of the week’s Power Plays is this now-classic song, which jumped from No. 51 to No. 41.

5) The Marvelettes – “When You’re Young and in Love.” Another of the week’s Power Plays is this lovely Van McCoy-penned song, which would eventually reach No. 23. An interesting piece of trivia: It’s the group’s only single to chart in the U.K. Another piece of trivia: It was Wendy D.’s theme song… nah, I’m making that last bit up. But it should’ve been!

And two bonuses, both pulled from the “New This Week” section:

6) Marvin Gaye & Tammi Terrell – “Ain’t No Mountain High Enough.” The first of the many classic Marvin & Tammi duets. Here, they perform the Ashford & Simpson-penned song on The Tonight Show:

7) The Grass Roots – “Let’s Live for Today.” Debuting at No. 87 is this ‘60s classic, which would eventually make it to No. 8. Who knew that it began life as an Italian pop song written by an ex-pat Brit beat group? Not me. Wikipedia gives the rundown of its complicated history.

Today’s Top 5: Oldies, but Goodies (aka Singles I Purchased Way Back When)

In the late 1990s, just like every other driver, I was dependent on CDs or the radio for my in-car entertainment; and, given that my daily commute to and from the office was a mere 10-15 minutes, that meant the radio more often than not. In no specific order save for the last, stations in my rotation at the time included KYW-1060, Philly’s all-news station, which I listened to for the weather; WIP, a sports-talk station; WXPN, which featured (and still features) the “adult album alternative” music format; WMGK, a “classic hits” station that leaned heavily on the ‘70s; and WOGL, which programmed more traditional oldies.

In those days, I should mention, my company gave us an hour paid lunch. That meant that I zoomed home at noon and, fifty minutes later, zoomed back. It was great. And while the specific year of the sun-soaked spring day that I’m remembering has been lost in my memory banks, in a sense it doesn’t matter. What does is this: On the way back to work from lunch, I tuned to WOGL only to hear the Pretenders’ “Brass in Pocket” saunter from the speakers like a wisecracking diner waitress.

“Brass in Pocket” was an oldie?! If not for the fact that I was stopped at a red light, I would’ve driven off the road. The oldies in my mind then and now basically equate to the songs Michael St. John played on his Saturday night oldies show on WPEN-AM in the late 1970s – a musical milieu of pop, rock and doo-wop from the 1950s and early/mid-1960s. They weren’t the songs of my youth.

But, of course, by the late ‘90s they were becoming just that.

So, for today’s Top 5: Oldies, but Goodies (aka, Singles I Purchased in 1977, ’78 & ’79)… in the order that I bought them. I think. (Not all were “oldies” at the time, but those that weren’t definitely are now.)

1)  Jan & Dean – “Sidewalk Surfin’.”

 

2) Dion – “The Wanderer.”

3) The Zombies – “She’s Not There”

4) Carly Simon – “You’re So Vain.”

5) Al Stewart – “Song on the Radio.”

And one bonus:

6) Eddie Cochran – “Twenty Flight Rock.”

Okay, a second bonus…this one from 1981.

7) The Go-Go’s – “Our Lips Are Sealed.”